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DTSTART;TZID=America/Los_Angeles:20260302T190000
DTEND;TZID=America/Los_Angeles:20260304T190000
DTSTAMP:20260411T060148
CREATED:20260127T232137Z
LAST-MODIFIED:20260128T202939Z
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SUMMARY:AUDITIONS: POTUS
DESCRIPTION:AUDITIONS: POTUS or\, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive\nProduced by the Costa Mesa Playhouse in Collaboration with the Long Beach Playhouse\nPlaying in the Long Beach Playhouse’s Studio Theater\nBy Selina Fillinger\nDirected by Kathy Paladino\nAUDITION DATES:  March 2 – 4\, 2026\n\nMonday\, March 2\, 2026 – 7pm – 9pm: Open Call\nTuesday\,  March 3\, 2026 – 7pm – 9pm: Open Call\nWednesday\,  March 4\, 2026 – 7pm – 10pm: Callbacks – By invitation only.\n\n(Auditioners only need to come to one night of open call auditions.  We are only seeing in-person auditioners during audition times – no video submissions.) \nPERFORMANCE DATES:  April 24 – May 23\, 2026\nAUDITION NOTICE:\nTITLE: POTUS or\, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive\nPRODUCER:  The Costa Mesa Playhouse in collaboration with The Long Beach Playhouse. \nAUTHOR: Selina Fillinger \nDIRECTOR: Kathy Paladino \nRUN:  April 24th – May 23rd \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. \nThis is a volunteer community theater production.  Non-Equity.  There is no pay. \nAUDITION DATES:\nOpen Call: Prepare a monologue in the style of the play (Comical Farce) \nDates: Monday\, March 2 and Tuesday\, March 3\, 2026 \n(Auditioners only need to come to one night of Open Call Auditions.) \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: By Invitation Only. \nDate: Wednesday\, March 4th \nTimes: 7pm – 10pm \nREHEARSALS:\nFirst Read-Through: March 7th\,  Noon – 4pm \nRegular Rehearsal: Monday – Thursday\, 7pm – 10:00pm. Some Saturdays\, 10am – 1pm. \n(Please see beginning rehearsal schedule BELOW for specific dates and times.) \nLocation: Long Beach Playhouse \nAUDITION REQUIREMENTS:\nBring headshot and resume.  \nPrepare a monologue in the style of the show (Comical Farce) \nSides for cold readings will be provided at the auditions. \nSHORT SYNOPSIS:  \nOne four-letter word is about to rock 1600 Pennsylvania Avenue. When the president unwittingly spins a PR nightmare into a global crisis\, the seven brilliant and beleaguered women he relies upon most risk life\, liberty\, and the pursuit of sanity to keep the commander-in-chief out of trouble. A broad\, zany\, old-school comedy that earned three 2022 Tony nominations. \nCASTING THE FOLLOWING ROLES:\nNote: roles are open to all ethnicities. \nHARRIET: (F\, 40+) His Chief of Staff. Steel-Nerved. Composed. Seemingly Loyal to a fault. Always in control. Until she’s not \nJEAN: (F\, 30-60) His Press Secretary. Hanging on by a thread. Master spinner. Constantly amazed at how much can go wrong. Easily baited or pulled off target. In other words\, also a mom. \nSTEPHANIE: (F\, 25-60) His Secretary. Struggling to stand amongst the giants. Easily intimidated\, but resilient. Book-smart\, not people-smart. Completely uninhibited and primal in the right circumstances. \nDUSTY: (F\, 20-40) His dalliance. Farm Girl. Also\, in STEM. Also\, a Cheerleader. A little ditzy\, but that plays into her immense charm & confidence. Open-minded on plenty of fronts\, and ready to play ball (and with balls) \nBERNADETTE: (F\, 35-55) His Lesbian\, incarcerated sister. Straight out of Prison. Black Sheep. Narcotic Saleswoman (and great at it). Got a guy for everything. Vengeful against the system she was born into. \nCHRIS: (F\, 25-45): A journalist and nursing mother of twins. Hard-Earned Senior Reporter. Crafty. Observant and quick to act. Under-utilized and written off as a new mom \nMARGARET: (F\, 40-60) His Wife. Calculated. Fighting against the intimidation her accomplishments bring. Elegance masking a level of simmering rage at all times. \nBEGINNING REHEARSAL SCHEDULE:\n\n\nPOTUS Beg. Rehearsal Schedule (Actor Ver.)Download
URL:https://lbplayhouse.org/event/auditions-potus/
CATEGORIES:Auditions
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DTSTART;TZID=America/Los_Angeles:20260323T190000
DTEND;TZID=America/Los_Angeles:20260325T190000
DTSTAMP:20260411T060148
CREATED:20251210T013449Z
LAST-MODIFIED:20260311T212816Z
UID:10328-1774292400-1774465200@lbplayhouse.org
SUMMARY:AUDITIONS: THE LION IN WINTER
DESCRIPTION:AUDITIONS: THE LION IN WINTER\nPlaying in the Long Beach Playhouse’s Mainstage Theater\nBy James Goldman\nDirected by James Rice\nAUDITION DATES:  March 23 – 25\, 2026\n\nMonday\, March 23\, 2026 – 7pm – 9pm: Open Call\nTuesday\,  March 24\, 2026 – 7pm – 9pm: Open Call\nWednesday\,  March 25\, 2026 – 7pm – 10pm: Callbacks – By invitation only.\n\n(Auditioners only need to come to one night of open call auditions.  We are only seeing in-person auditioners during audition times – no video submissions.) \nPERFORMANCE DATES:  May 16 – June 13\, 2026\nAUDITION NOTICE:\nTITLE: LION IN WINTER \nAUTHOR: JAMES GOLDMAN \nDIRECTOR: JAMES RICE \nRUN:  May 16\, 2026 – June 13\, 2026 \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. \nThis is a volunteer community theater production.  Non-Equity.  There is no pay.  \nAUDITION DATES:\nOpen Call: \nDates: Monday\, March 23 & Tuesday\, March 24\, 2026  \n(Auditioners only need to come to one night of Open Call Auditions.) \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: By Invitation Only. \nDate: Wednesday\, March 25\, 2026 \nTimes: 7pm – 10pm \nREHEARSALS:\nFirst Read-Through: Saturday\, March 28\, 2026\, Noon – 4pm \nRegular Rehearsal: Starting Date – March 30\, 2026\, Monday thru Thursday\, 7pm – 10:00pm\, Saturdays 10pm – 2pm. \n(Please see beginning rehearsal schedule BELOW for specific dates and times.) \nLocation: Long Beach Playhouse \nNOTE: Open to working with some limited minor conflicts\, but we will not be casing people with conflicts on tech dates and performances. \nAUDITION REQUIREMENTS:\nBring headshot and resume.  \nSides for cold readings will be provided at the auditions and you can access them here: \nLINK TO AUDITIONS SIDES\n  \nSHORT SYNOPSIS:  \nIt is 1183 in the medieval Angevin Empire. Fifty-year-old Henry II of England seeks to establish a line of succession and summons his family for Christmas at his castle in Chinon\, Touraine. He wants his youngest son\, John\, to inherit his throne\, while his estranged wife\, Eleanor of Aquitaine\, reprieved from imprisonment in England by Henry for the holiday\, favours their eldest surviving son\, Richard\, a proven warrior. Henry invites Philip II of France\, son and successor of Louis VII\, Eleanor’s first husband\, to settle some business. Louis had made a treaty with Henry pledging Philip’s half-sister Alais\, currently Henry’s mistress\, in troth to Henry’s future heir; Philip demands either a wedding or the return of her dowry\, the strategically important county of Vexin near Paris. \nCASTING THE FOLLOWING ROLES:\nNOTE: A British Dialect may be required. \nHENRY II (M\, 50 – 60\, all ethnicities.) \nKing of England. Although aging\, Henry acts like a much younger man. He has boisterous energy\, a forbidding temper\, and a relentless drive that makes him a formidable opponent. He is determined to have John\, his youngest son\, as his heir\, but he knows that if he does his remaining family could start a civil war. He is in love with his much younger mistress\, Alais\, the daughter of the late King of France\, but has no qualms using her as a bargaining chip in his plans. (Role may require an Intimate Moment with the character of Alais – kissing.) \nELEANOR (F\, 60 – 68\, all ethnicities.) \nQueen of England\, Duchess of Aquitaine\, & former Queen of France\, Henry’s estranged wife\, has been imprisoned under house arrest for ten years for supporting her sons in an unsuccessful rebellion. A decade older than Henry\, she’s always been his equal in intelligence\, wit\, & ambition. Her love for him is conflicted: she cares deeply for him but fiercely resists being disregarded or subordinate. Years ago\,  when Henry turned to a mistress\, Eleanor devoted herself to raising Richard\, her son. \nRICHARD (M\, 25 – 35\, all ethnicities.) \nThe eldest surviving son of Henry and Eleanor\, Richard has been a famous soldier since his sixteenth birthday. He’s impressive and domineering but has a tense relationship with both of his parents. Richard is his mother’s favorite\, yet he’s wary of her. He wonders if she genuinely loves and supports him or uses him as a tool in her conflict with his father. Richard feels neglected and excluded by Henry and silently yearns for his father’s approval but covers his pain with his warrior’s demeanor. (Role may require some Same-Sex Intimacy with the Character of Philip – Kissing/Embracing.) \nGEOFFREY (M\, 20 – 25\, all ethnicities.) \nThe second eldest surviving son of Henry and Eleanor\, Geoffrey is attractive\, charming\, and the most intelligent of the brothers. His parents\, however\, never consider him in the running to be king— even though he possesses the intellectual promise of a great monarch. His feelings of being neglected have made him a cold amoral schemer who constantly changes his alliances between Richard and John\, hoping to disgrace them both so he can gain the throne and his parents’ love and respect. \nJOHN (M\, 16 – 25 to play a 16 y.o\, all ethnicities.) \nThe youngest son of Henry and Eleanor\, John is Henry’s favorite and his chosen heir. Though he can be sweetly charming when he wishes\, he has been spoiled rotten by his father\, and often taunts his brothers\, knowing that Henry will back him up. However\, beneath his boasting\, he is deeply insecure\, as he knows he has neither Richard’s brawn nor Geoffrey’s brain. His lack of maturity and desperate desire to come out on top lead him to trust anyone who offers him a helping hand. \nALAIS (Pronounced “Alice”) (F\, 20 – 25\, all ethnicities.) \nDaughter of the late King of France and half-sister to King Philip. She is deeply in love with Henry\, many years her senior\, and has been his mistress for seven years. In that time\, she has grown from a simple teenage girl to a gentle and thoughtful young woman with a quiet strength. Though at times she tries to match Henry’s family in their ruthlessness\, she knows her kind nature will not allow her to truly compete with them. (Role may require an Intimate Moment with the character of Henry II – kissing.) \nPHILIP (M\, 18 – 24\, all ethnicities.) \nThe young King of France\, half-brother to Alais. Philip has come to Henry’s court to demand that a treaty made with his late father be fulfilled. He is relatively new to his throne and initially behaves with a commanding dignity\, showing little emotion. When his negotiations with Henry fail\, he encourages the rebellious thoughts of Henry’s sons\, making empty promises to each in turn. Philip is especially close to Richard\, who was his lover two years ago. (Role may require some Same-Sex Intimacy with the Character of Richard – Kissing/Embracing.) \nBEGINNING REHEARSAL SCHEDULE:\n\n\nThe Lion in Winter Beg. Reh. Schedule V.3Download\n\n\nAUDITION SIDES:\n\n\nThe Lion in Winter Open Call SidesDownload
URL:https://lbplayhouse.org/event/auditions-the-lion-in-winter/
CATEGORIES:Auditions
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