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DTSTART;TZID=America/Los_Angeles:20260413T190000
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DTSTAMP:20260502T145542
CREATED:20260312T195846Z
LAST-MODIFIED:20260312T214436Z
UID:10432-1776106800-1776279600@lbplayhouse.org
SUMMARY:AUDITIONS: KIMBERLY AKIMBO
DESCRIPTION:AUDITIONS: KIMBERLY AKIMBO\nPlaying in the Long Beach Playhouse’s Studio Theater\nBy David Lindsay-Abaire\nDirected by Michael Hovance\n  \nAUDITION DATES:  April 13 – 15\, 2026\n\nMonday\, April 13\, 2026 – 7pm – 9pm: Open Call\nTuesday\,  April 14\, 2026 – 7pm – 9pm: Open Call\nWednesday\,  April 15\, 2026 – 7pm – 10pm: Callbacks – By invitation only.\n\n(Auditioners only need to come to one night of open call auditions.  We are only seeing in-person auditioners during audition times – no video submissions. Auditioners will be seen on a first come\, first serve basis determined by when they signed-in at the Open Call.) \nPERFORMANCE DATES:  June 6 – July 3\, 2026\n  \nAUDITION NOTICE:\nTITLE:  KIMBERLY AKIMBO \nAUTHOR:  David Lindsay-Abaire \nDIRECTOR: Michael Hovance \nRUN:  June 6 – July 3\, 2026 \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. \nThis is a volunteer community theater production.  Non-Equity.  There is no pay. \nAUDITION DATES:\nOpen Call: \nDates:  Monday\, April 13 & Tuesday\, April 14\, 2026 \n(Auditioners only need to come to one night of Open Call Auditions.) \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: By Invitation Only. \nDate: Wednesday\, April 15\, 2026 \nTimes: 7pm – 10pm \nREHEARSALS:\nFirst Read-Through: Saturday\, April 18\, Noon – 4pm \nRegular Rehearsal:  Starting Monday\, April 20: Monday through Thursdays 7pm – 10pm with an occasional possible Saturday rehearsal\, Noon – 3pm if needed. \n(Please see beginning rehearsal schedule BELOW for specific dates and times.) \nLocation: Long Beach Playhouse \nNOTE: Open to working with some limited minor conflicts\, but we will not be casing people with conflicts on tech dates and performances. \nAUDITION REQUIREMENTS:\nBring headshot and resume.  \nSides for cold readings will be provided at the auditions.  \nSHORT SYNOPSIS:  \nIts 1999\, (before kids had cell phones)\, and Kimberly has all the usual problems of a typical 16 year old; making friends at her new school\, dealing with her dysfunctional family… and a rare genetic condition where she ages four and a half times faster than her peers. Feeling trapped inside the frail physical body of an elderly woman\, Kim meets Jeff\, another young misfit at school\, and an uncertain relationship develops between them. Soon her life goes “akimbo\,” contending with a hypochondriac mother\, a rarely sober father\, a scam-artist aunt\, her own mortality\, and most terrifying of all\, the possibility of first love. A dark comedy that gives a quirky twist to the term ‘coming of age story’. \nCASTING THE FOLLOWING ROLES:\nKIMBERLY LEVACO (F\, 60+ to play 16 y.o.): Kimberly is sixteen but appears much older because of a rare (fictional) aging disorder. She’s intelligent\, perceptive\, and often wiser than the adults around her. She longs for normal teenage experiences: friends\, romance\, and a sense of belonging\, but she’s also aware that her time is limited. The actor should be able to express both the physical presence of an older woman and the emotional energy of a teenager. (Intimacy Moment: This character shares a brief on-stage kiss with Jeff.) \nBUDDY LEVACO (M\, Mid 30s-40s): Kimberly’s father. A man with a gentle heart and a weak backbone. He drinks too much and uses humor to hide his sense of failure. Buddy is not cruel\, but he’s unreliable and emotionally lost. He wants to do right by his family but lacks the maturity or stability to make lasting change. His love for Kimberly is genuine\, but his inability to take responsibility often undermines it.   \nPATTIE LEVACO (F\, Mid 30s – 40s): Kimberly’s mother: High-strung\, self-centered\, and constantly overwhelmed\, Pattie has a hard time accepting reality. She masks her fear and guilt with sarcasm and self-pity. There’s love beneath her chaos\, but she doesn’t know how to show it. This role requires solid comedic timing. Pattie is 8 months pregnant throughout the duration of the show. She has bandages wrapping up both hands\, and walks with crutches for several scenes. \nDEBRA (F\, 30 – 40): Pattie’s sister and Kimberly’s aunt. Debra is unapologetically herself — bold\, funny\, and always scheming for her next move. An ex (and possibly future) con. Beneath her chaotic energy is a deep need for connection and belonging. She’s both comic relief and a surprising source of heart. \n  JEFF (M\, 18 – 25 to play 16 y.o.): A classmate of Kimberly’s. Jeff is intelligent\, quirky\, and endearingly awkward. A lover of D&D and the “puzzleistic arts”.  He shares Kimberly’s sense of humor\, and becomes her closest friend and potential love interest. His presence gives her a glimpse of a normal teenage experience. (Intimacy Moment: This character shares a brief on-stage kiss with Kimberly.) \nBEGINNING REHEARSAL SCHEDULE:\n\n\nKimberly Akimbo Beg. Reh. Schedule Actor Ver.Download
URL:https://lbplayhouse.org/event/auditions-kimberly-akimbo/
CATEGORIES:Auditions
ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2026/03/Kimberly-Akimbo-Audition-Banner-scaled.jpg
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DTSTART;TZID=America/Los_Angeles:20260428T190000
DTEND;TZID=America/Los_Angeles:20260430T190000
DTSTAMP:20260502T145542
CREATED:20260213T232134Z
LAST-MODIFIED:20260324T204817Z
UID:10389-1777402800-1777575600@lbplayhouse.org
SUMMARY:AUDITIONS: GODSPELL
DESCRIPTION:AUDITIONS: GODSPELL\nPlaying in the Long Beach Playhouse’s Mainstage Theater\nBook by John Michael Tebelak\, Music & New Lyrics by Stephen Schwartz\nDirected by Sonya L. Randall\nChoreographed by Sonya Randall & Omar Ceja\nMusical Direction by Stephen Olear\n  \nNEW AUDITION DATES:  April 27\, 28\, & 30\, 2026\n\nMonday\, April 27\, 2026 – 7pm – 9pm: Open Call\nTuesday\, April 28\, 2026 – 7pm – 9pm: Open Call\nWednesday\,  April 29\, 2026 – OFF\nThursday\,  April 30\, 2026 – 7pm – 11pm: Callbacks – By invitation only.\n\n(Auditioners only need to come to one night of open call auditions.  We are only seeing in-person auditioners during audition times – no video submissions. Auditioners will be seen on a first come\, first serve basis determined by when they signed-in at the Open Call.) \nPERFORMANCE DATES:  June 27 – Aug. 2\, 2026\n  \nAUDITION NOTICE:\nTITLE: GODSPELL \nBOOK BY: JOHN-MICHAEL TEBELAK \nMUSIC & NEW LYRICS BY: STEVEN SCHWARTZ \nDIRECTOR: SONYA L. RANDALL \nMUSICAL DIRECTOR: STEPHEN OLEAR \nCHOREOGRAPHER:  SONYA RANDALL & OMAR CEJA  \nRUN:  June 27\, 2026 – August 2\, 2026 \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. \nThis is a volunteer community theater production.  Non-Equity.  There is no pay.  \nAUDITION DATES:\nOpen Call:  \nDates: Monday\, April\, 27 & Tuesday\, April 28\, 2026 \n(Auditioners only need to come to one night of Open Call Auditions.) \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: By Invitation Only. \nDate: Thursday\, April 30\, 2026 \nTimes: 7pm – 11pm \nREHEARSALS:\nFirst Read-Through: May 2\, 2026\, Sat. 1pm – 5pm \nRegular Rehearsal: Starts Sunday\, May 3\, 2026; Monday – Thursday from 7pm – 10:30pm\, Sundays 5pm – 10pm. \n(Please see beginning rehearsal schedule BELOW for specific dates and times.)\nLocation: Long Beach Playhouse \nNOTE: Open to working with some limited minor conflicts\, but we will not be casting people with conflicts on tech dates and performances. \nAUDITION REQUIREMENTS:\nBring headshot and resume. \nBring 16 bars of a pop musical theatre song (no Sondheim or Jason Robert Brown\, please.) An accompanist will be provided\, so please bring sheet music that is in your key\, clearly prepared\, indicating where you start and stop. No tracks or a cappella. \nBe prepared to dance. \nSides for cold readings will be provided at the auditions/callbacks. \nSHORT SYNOPSIS:\nGodspell is a musical that retells the parables from the Gospel of Matthew through song\, dance\, and comedic storytelling\, focusing on themes of friendship\, love\, and community\, and culminates in the Passion of Christ. A group of eclectic disciples helps Jesus bring these timeless lessons to life using creative games and a blend of musical styles\, ultimately forming a community around him\, with the narrative moving toward his crucifixion. GODSPELL was the first major musical theatre offering from three-time Grammy and Academy Award winner\, Stephen Schwartz (Wicked\, Pippin\, Children of Eden). Boasting a score with chart-topping songs\, a book by a visionary playwright (John-Michael Tebelak)\, GODSPELL is a sensation that continues to touch audiences. \nCASTING THE FOLLOWING ROLES:\nAll roles are available\, open to any age (18+)\, ethnicity\, or gender. \nIn addition to each individual being able to stand out\, it is important that all cast members are able to function as an ensemble\, without any feeling that any one (other than Jesus) stands out above the others. Other important traits to have for the roles are a sense of comic ability\, and some skill at improvisation. \nJESUS (Tenor\, 18+):  Must be the most charismatic individual in the cast. High energy\, charming\, funny\, gentle\, but with strength. He is the sort of person others instinctively follow.  He sings “Save the People\,” “All for the Best\,” Alas for You\,” and “Beautiful City” \nJOHN THE BAPTIST/JUDAS (Baritone\, 18+): Will perhaps split this role between two actors. He has attributes of both Biblical figures: He is both Jesus’ lieutenant and most ardent disciple\, and the doubter who begins to question and rebel. Like Jesus\, he is also charismatic\, but in more of an overt revolutionary way. Usually played by someone handsome and masculine\, with an undertone of sexuality. He is the most “serious” and intellectual of the group\, though as with all the actors\, he must still possess a good sense of physical comedy. He sings “Prepare Ye\,” “All for the Best\,” and “On the Willows.” \nNICK (Tenor\, 18+):  Very high energy. Impish and playful. In the original\, he might play several musical instruments\, including concertina\, recorder or guitar if the actor has this ability\, but not a requirement of the role. He sings “We Beseech Thee.” \nTELLY (Tenor\, 18+):  Not the brightest in the bunch\, he is a little slow on the uptake. But there is a great sweetness and innocence about him. He sings “All Good Gifts.”  \nGEORGE (Tenor\, 18+):  The comedian\, the class clown. The guy who can do a hundred voices and imitations. He sings “Light of the World.” \nANNA MARIA (Alto\, 18+):  A bit of a tomboy\, but basically open and sweet. Perhaps the youngest of the group. She is the first of the group to commit to following Jesus in the song “Day by Day.” \nLINDSAY (Soprano\, 18+):  The confident one\, the show-off. The first one to volunteer\, sometimes she jumps in before she really understands what’s going on. She sings “Bless the Lord.”  \nUZO (Alto\, 18+):  The shy one. Sometimes a little slow to get things\, but when she does\, she commits all the way. Has an “earth mother” kind of warmth to her. She sings “By My Side.”  \nMORGAN (Alto\, 18+):  Sassy and slightly cynical\, the most urban of the group. Also the “sexy” one\, but her sexiness contains a large element of put-on\, in the manner of Mae West or Madonna. She sings “Turn Back\, O Man.” \nCELISSE (Mezzo-Soprano\, 18+): The female equivalent of the class clown. Goofy and a cut-up. She might play some instruments\, including conga\, ukulele and guitar if they can\, but not a requirement of the role. She sings “Learn Your Lessons Well.” \nTwo to four ensemble will be added to cast at the director’s discretion. \nBEGINNING REHEARSAL SCHEDULE:\n\n\nGodspell Beg. Rehearsal Schedule (Actor Version)Download
URL:https://lbplayhouse.org/event/auditions-godspell/
CATEGORIES:Auditions
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