BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Long Beach Playhouse - ECPv6.8.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Long Beach Playhouse X-ORIGINAL-URL:https://lbplayhouse.org X-WR-CALDESC:Events for Long Beach Playhouse REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Los_Angeles BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20220313T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20221106T090000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220912T190000 DTEND;TZID=America/Los_Angeles:20220914T220000 DTSTAMP:20260404T005844 CREATED:20220824T222409Z LAST-MODIFIED:20220826T194207Z UID:6954-1663009200-1663192800@lbplayhouse.org SUMMARY:AUDITIONS: RELATIVELY SPEAKING DESCRIPTION:TITLE: RELATIVELY SPEAKING\nAUTHOR: Alan Ayckbourn  \nDIRECTOR: Allen Sewell \nRUN: Nov. 5 – Dec. 3\, 2022 \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. \nThis is a community theater production.  Non-Equity.  There is no pay.  \nAt this time\, all volunteers including actors must be fully vaccinated to participate in shows. \nAUDITION DATES: \nOpen Call: \nDates: Monday\, Sept. 12th\, and Tuesday Sept. 13th\, 2022 \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: \nDate and Time: Wednesday Sept. 14th\, 2022. 7pm – 10pm\, by invitation only. \nREHEARSALS: \nFirst Read-Through: Saturday\, Sept. 17th\, 12pm – 3pm \nRegular Rehearsal: Starts Monday\, September 19th; Monday through Thursday nights\, 7:00pm – 10:00pm; Saturdays\, Noon – 3:00pm  \nBEGINNING REHEARSAL SCHEDULE\n  \nLocation: Long Beach Playhouse \nAUDITION REQUIREMENTS: \nBring headshot and resume.  \nSides for cold readings will be provided at the auditions. \nPlease bring your vaccination card as written proof of full vaccination to the auditions. Masks will be required at the auditions. \nSHORT SYNOPSIS:   \nAlan Ayckbourn’s first big hit\, Relatively Speaking is a cleverly crafted comedy of mistaken identity.  Young Londoners Greg and Ginny find each other most compatible.  But\, Ginny tells Greg she isn’t ready for him to meet her parents as she prepares to visit them in the countryside on Sunday morning.  By accident Greg discovers the address where Ginny is going and decides to surprise her and his future in-laws by meeting them himself.  The address\, however\, is not the residence of Ginny’s parents\, but the country home of Ginny’s former boss and his wife.  Hilarious misunderstandings ensue as Greg meets the “parents\,” who have a few surprises of their own. \nCASTING THE FOLLOWING ROLES: \nGREG (M\, to play 30-35) Handsome fellow in love with Ginny.  A bit naïve — perhaps this is his first time taking a relationship seriously.  Still searching for a career.  The character appears in their undergarments on stage (boxer shorts) and will engage in romantic contact with the character of Ginny (kissing\, embracing.) (British accent required.) \nGINNY (F\, to play 25-30) Lovely young woman in love with Greg\, but concealing a past relationship with an older man.  Her apartment reflects an energetic participant in the mod London scene of the 1960s. The character appears briefly in their undergarments on stage (1960s period bra and panties) and will engage in romantic contact with the character of Greg (kissing\, embracing.) (British accent required.) \nPHILIP (M\, to play around 50) Dissatisfied long-time husband of Sheila.  He has had an affair with his former office underling\, Ginny.  A successful businessman and gardening aficionado. He suspects his wife is having an affair and wishes to continue his own with Ginny.  (British accent required.) \nSHEILA: (F\, to play 45-50) Philip’s wife.  She is sometimes a bit befuddled but is a pleasant\, competent housewife and hostess.  She keeps her husband guessing about her fidelity to him but also shows concern for him. (British accent required.) URL:https://lbplayhouse.org/event/auditions-relatively-speaking/ CATEGORIES:Auditions ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/08/Relatively-Speaking-Audition-Banner-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220903T200000 DTEND;TZID=America/Los_Angeles:20221001T230000 DTSTAMP:20260404T005844 CREATED:20220607T213626Z LAST-MODIFIED:20221003T232004Z UID:6746-1662235200-1664665200@lbplayhouse.org SUMMARY:THE REVOLUTIONISTS DESCRIPTION:Written by Lauren Gunderson\nDirected by Madison Mooney and Gregory Cohen\nFour beautiful\, badass women lose their heads in this irreverent\, girl-powered comedy set during the French Revolution’s Reign of Terror. Playwright Olympe de Gouges\, assassin Charlotte Corday\, former queen (and fan of ribbons) Marie Antoinette\, and Haitian rebel Marianne Angelle hang out\, murder Marat\, and try to beat back the extremist insanity in 1793 Paris. This grand and dream-tweaked comedy is about violence and legacy\, art and activism\, feminism and terrorism\, compatriots and chosen sisters\, and how we actually go about changing the world. \nCHOOSE YOUR DATE:\nThis production closed Oct. 1\, 2022.\n  \nCOVID Patron Safety Protocol\nPlease know that at our performances you\, and everyone in your party (including children)\, will be asked to: \n\nProvide Proof of Vaccination or show A Negative Covid Test result from within the past 72 hours upon entry.\nWear a mask within the facility.\nVoluntarily assume all risks related to potential exposure to COVID-19.\n\nAny questions regarding the policy please call and speak to a staff member\, 562-494-1014 \nPLEASE NOTE: The Studio Theater is on the 2nd Floor. There is no elevator and the theater is only accessible by stairs.\n  \nCAST:\n\nMeredith Miranda (OLYMPE DE GOUGES)\nTara Brown (MARIANNE ANGELLE)\nStacy Park (CHARLOTTE CORDAY)\nAmara Phelps (MARIE-ANTOINETTE)\n\nSHOW TRAILER:\n \nPREVIEW CLIP:\n \nPERFORMANCE PHOTOS:\n\n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 1: Meredith Miranda (OLYMPE DE GOUGES)\n(Michael Hardy Photography)\n \n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 2: Tara Brown (MARIANNE ANGELLE)\, Meredith Miranda (OLYMPE DE GOUGES)\n(Michael Hardy Photography)\n \n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 3: Meredith Miranda (OLYMPE DE GOUGES)\, Tara Brown (MARIANNE ANGELLE)\, Stacy Park (CHARLOTTE CORDAY)\n(Michael Hardy Photography)\n \n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 4: Stacy Park (CHARLOTTE CORDAY)\n(Michael Hardy Photography)\n \n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 5: Amara Phelps (MARIE-ANTOINETTE)\, Meredith Miranda (OLYMPE DE GOUGES)\, Tara Brown (MARIANNE ANGELLE)\n(Michael Hardy Photography)\n \n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 6: Stacy Park (CHARLOTTE CORDAY)\, Tara Brown (MARIANNE ANGELLE)\n(Michael Hardy Photography)\n \n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 7: Amara Phelps (MARIE-ANTOINETTE)\n(Michael Hardy Photography)\n \n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 8: Stacy Park (CHARLOTTE CORDAY)\, Tara Brown (MARIANNE ANGELLE)\n(Michael Hardy Photography)\n \n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 9: Tara Brown (MARIANNE ANGELLE)\n(Michael Hardy Photography)\n \n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 10: Meredith Miranda (OLYMPE DE GOUGES)\, Amara Phelps (MARIE-ANTOINETTE)\n(Michael Hardy Photography)\n \n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 11: Amara Phelps (MARIE-ANTOINETTE)\, Tara Brown (MARIANNE ANGELLE)\n(Michael Hardy Photography)\n \n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 12: Meredith Miranda (OLYMPE DE GOUGES)\, Tara Brown (MARIANNE ANGELLE)\n(Michael Hardy Photography)\n \n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 13: Amara Phelps (MARIE-ANTOINETTE)\n(Michael Hardy Photography)\n \n \n \n \n \n THE REVOLUTIONISTS (STUDIO\, Sept. 3 – Oct. 1\, 2022)\nPHOTO 14: Tara Brown (MARIANNE ANGELLE)\, Amara Phelps (MARIE-ANTOINETTE)\, Stacy Park (CHARLOTTE CORDAY)\, Meredith Miranda (OLYMPE DE GOUGES)\n(Michael Hardy Photography)\n \n \n\nA BIG THANK YOU TO THE PORT OF LONG BEACH FOR SPONSORING THE OPENING NIGHT GALA URL:https://lbplayhouse.org/event/the-revolutionists/ CATEGORIES:Studio Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/06/The-Revolutionists-Event-Banner-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220827T200000 DTEND;TZID=America/Los_Angeles:20220827T230000 DTSTAMP:20260404T005844 CREATED:20220726T204007Z LAST-MODIFIED:20220824T221644Z UID:6866-1661630400-1661641200@lbplayhouse.org SUMMARY:Tales of the Long Beach Playhouse DESCRIPTION:A look back on nearly a century of community theatre produced by the volunteers and staff of the Long Beach Playhouse. The drama\, the scandals\, and don’t forget about the productions onstage! \n‘Tales of the Long Beach Playhouse’ will be a one night only event on our Mainstage. A mix of readers theatre and live musical performances\, the evening will tell the history of the Playhouse thanks to the research of the Historical Society of Long Beach. \nOur performers will tell the story by portraying real life leaders of LBP. Founders like Lorraine Miller\, frequent director Herbert Yenne\, long time Board Member and Executive Director Ethel Case\, and many more. Breaking up the story will be amazing singers and musicians performing songs from musicals produced by LBP. \nGeneral Tickets $25 \nVIP Tickets $40 \nVIP Tickets include front row assign seating\, drink vouchers\, and assigned parking spot. \nLobby Opens at 7pm for food\, drinks\, and music \nShow Begins at 8pm \n  \nThank You to the Port of Long Beach for their Sponsorship! URL:https://lbplayhouse.org/event/tales-of-the-long-beach-playhouse/ CATEGORIES:Mainstage Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/07/Postcard.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220816T190000 DTEND;TZID=America/Los_Angeles:20220818T230000 DTSTAMP:20260404T005844 CREATED:20220307T230429Z LAST-MODIFIED:20220720T225404Z UID:6568-1660676400-1660863600@lbplayhouse.org SUMMARY:AUDITIONS: URINETOWN The Musical DESCRIPTION:TITLE: URINETOWN\nMUSIC BY: Mark Hollmann \nLYRICS BY: Mark Hollmann & Greg Kotis \nBOOK BY: Greg Kotis \nDIRECTOR: Rovin Jay \nASSISTANT DIRECTOR/CHOREOGRAPHER: Sonya L. Randall \nMUSIC DIRECTOR: Stephen Olear \nRUN: Oct. 14th – Nov. 19th\, 2022 \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. \nThis is a community theater production.  Non-Equity.  There is no pay.  \nAt this time\, all volunteers including actors must be fully vaccinated to participate in shows. \nAUDITION DATES:\nOpen Call: \nDates: Tuesday\, Aug 16th and Wednesday Aug. 17th\, 2022 \nTimes: 7pm – 10pm \nLocation: Long Beach Playhouse   \nCallbacks: \nDate and Time: Thursday\, Aug 18\, 2022. 7pm – 11pm\, by invitation only. \nREHEARSALS:\nFirst Read-Through: Saturday\,  Aug. 20th\, 12pm – 4pm \nRegular Rehearsals: Starts Monday\, August 22nd and continues to Thursday\, Oct 13th; Sunday through Thursday nights\, 7:00pm – 10:30pm\,   Saturday morning rehearsals 10:00pm – 3:00pm \n(See Beginning Rehearsal Schedule for Specific Dates and Times) \nLINK TO BEGINNING REHEARSAL SCHEDULE\nLocation: Long Beach Playhouse \nAUDITION REQUIREMENTS:\nBring headshot and resume. Please prepare 16 – 32 bars of a contemporary musical theater song in the style of the show. Be prepared to move. \nFor callbacks be prepared to move\, learn songs from the show\, and read scene sides. \nPlease bring your vaccination card as written proof of full vaccination to the auditions. Masks will be required at the auditions. \nSHORT SYNOPSIS:\nWinner of three Tony Awards\, Urinetown is a hilarious musical satire of capitalism\, bureaucracy\, corporate mismanagement\, municipal politics\, and musical theatre itself! In a large city a terrible water shortage\, caused by a 20-year drought\, has led to a government-enforced ban on private toilets. The citizens must use public amenities\, regulated by a single malevolent company that profits by charging admission for one of humanity’s most basic needs. Amid the people\, a hero decides that he’s had enough and plans a revolution to lead them all to freedom! This irreverently humorous “comedic romp” reinvigorates the very notion of what a musical could be\, with wickedly modern wit and sustained unbridled laughter! \nCASTING THE FOLLOWING ROLES:\nNOTE: Actively seeking all ethnicities for all roles  \nBOBBY STRONG (M\, 20-30\, A2-C5) The dashing\, rebellious everyman who works for Miss Pennywise at the poorest\, filthiest town urinal. He becomes an unsuspecting protagonist and romantic hero when he starts a revolution and falls in love with Hope Cladwell. \nHOPE CLADWELL (F\, 20-30\, A3-A5) Cladwell’s ravishingly beautiful daughter\, torn between her father and her new love for Bobby. She begins as an innocent\, naïve angel but becomes vengeful and determined after being exposed to her father’s evil. \nOFFICER LOCKSTOCK (M\, Age: 35+\, A2-A4) The tongue-in-cheek narrator of our story\, he is a corrupt policeman who secretly kills off the guilty offenders. Bold\, brash\, and larger than life in many ways. \nLITTLE SALLY (F\, 20-40\, A3-E5) A precocious and irreverent street urchin. She serves as a quasi-narrator who often questions Lockstock and the play’s logic. \nPENELOPE PENNYWISE (F\, 35+\, A3-C6) The tough\, jaded warden of the poorest\, filthiest town urinal. She is Cladwell’s one-time lover and mother to Hope who eventually softens her temper. \nCALDWELL B. BLADWELL (M\, 50+\, A2-G4) The Evil president and owner of the Urine Good Company. He is a miserly money-grubber who gleefully exploits the poor. \nSENATOR FIPP (M\, 40+\, C#3-F4) A greedy politician in Cladwell’s pocket. A bumbling coward. \nJOSEPH “Old Man” STRONG (M\, 50+\, A2-F4) Bobby’s rebellious father. His refusal to pay the fee sends him to Urinetown\, ultimately launching the revolution. Doubles as HOT BLADES HARRY\, one of the Poor. He is a psychopathic and can become a violent loose cannon. \nOFFICER BARREL (M\, 30+\, G2-F4) Lockstock’s patrol partner. A thuggish and aggressive policeman. \nJOSEPHINE “Ma” STRONG (F\, 50+\, Bb3-D5) Bobby’s mother and Joseph’s wife. A strong-willed woman with a bite\, able to withstand the hard hand life has dealt her. Doubles as OLD WOMAN. \nTINY TOM (M\, 30+\, B2-E4) One of the Poor. He is an idiotic man-child. Doubles as DR. BILLEAUX\, Head of Research and Development at UGC. \nMR. McQUEEN (M\, 30+\, B2-E4) Cladwell’s sycophantic lackey. A servile assistant. \nSOUPY SUE (F\, 25+\, Bb3-B4) One of the Poor. She is excitable and easily panicked. Doubles as CALDWELL’S SECRETARY. \nLITTLE BECKY TWO-SHOES (F\, 20-40\, Bb3-F5) One of the Poor. She is foul-mouthed\, impulsive\, and accusatory. Doubles as MRS. MILLENNIUM. \nROBBY THE STOCKFISH (M\, 30+) One of the Poor. Curious and eager. URL:https://lbplayhouse.org/event/auditions-urinetown-the-musical/ CATEGORIES:Auditions ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/03/Urinetown-Audition-Banner-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220801T190000 DTEND;TZID=America/Los_Angeles:20220803T220000 DTSTAMP:20260404T005844 CREATED:20220714T234413Z LAST-MODIFIED:20220715T232201Z UID:6826-1659380400-1659564000@lbplayhouse.org SUMMARY:AUDITIONS: HOLMES AND WATSON DESCRIPTION:TITLE: HOLMES AND WATSON\nAUTHOR: Jeffery Hatcher \nDIRECTOR: Mitchell Nunn \nRUN:  Sept. 24th – Oct. 22nd\, 2022 \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. \nThis is a community theater production.  Non-Equity.  There is no pay.  \nAt this time\, all volunteers including actors must be fully vaccinated to participate in shows. \nAUDITION DATES:\nOpen Call: \nDates: Monday\, Aug. 1 and Tuesday\, Aug. 2\, 2022 \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: \nDate and Time: Wednesday\, Aug. 3\, 7pm – 10pm\, by invitation only. \nREHEARSALS:\nFirst Read-Through: Sat.\, Aug. 6\, Noon – 4pm. \nRegular Rehearsal: Start Monday\, Aug. 8; generally Mondays-Wednesdays\, 7pm-10pm; Saturdays\, 9am – Noon. \n(See Beginning Rehearsal Calendar for Specific Dates and Times) \nLocation: Long Beach Playhouse \nLINK TO BEGINNING REHEARSAL SCHEDULE\n  \nAUDITION REQUIREMENTS:\nBring headshot and resume.  \nSides for cold readings will be provided at the auditions. \nPlease bring your vaccination card as written proof of full vaccination to the auditions. Masks will be required at the auditions. \nSHORT SYNOPSIS:\nSherlock Holmes is dead\, or is he? Dr. Watson receives a telegram from a mental asylum: three patients are claiming to be Sherlock Holmes. Did the world’s greatest sleuth fake his own death? Who’s the real detective and who are the imposters? \nCASTING THE FOLLOWING ROLES:\nNOTE:  All Roles will require a British Accent. \nWATSON (M\, 40s-50s) Any ethnicity. Polite\, reserved\, detail oriented\, everything you’d expect from Sherlock Holmes’ sidekick. However\, he is also seemingly a bit at the end of his rope\, having suffered many personal losses as of late. He presents himself as Watson in an unfamiliar role\, that of the sidekick on his own. He displays a surprising fortitude to make a go of it without Sherlock and is several steps ahead of the situation at all times. (Role Requires a British Accent) \nDR. EVANS (M\, 40s-50s)  Any ethnicity. Silky and officious\, he is the man in charge of an Asylum on an isolated island. No nonsense and intense\, but with an English gentleman’s demeanor. His assertive charm is mysterious and commanding (Role Requires a British Accent) \nORDERLY/MORIARTY/INSPECTOR  (M\, 40s-50s) Any ethnicity. One of Dr. Evans’s assistants. Dark\, mysterious\, and very observant. Says little but sees much. He wears an asylum employee uniform./ Sherlock’s nemesis and suspect at the incident at Reichenbach Falls. He is an older man with a dark and quizzical personality.  / Once a comrade of Sherlock’s\, he is the one who inspects the incident at the masque ball. Has very prominent black muttonchops. (Role Requires a British Accent) \nMATRON/THE WOMAN (F\, 35-50) Any ethnicity.  Dr. Evans’s other assistant. She wears her own version of the employee uniform\, with her hair in a bun. She carries an almost chilly\, robotic demeanor. / A beautiful and mysterious woman at the masque ball\, helps Client steal a document from Fonseca. (Role Requires a British Accent) \nHOLMES 1/THE CLIENT (M\, 40s-50s) The first of the three Holmes to arrive at the asylum and to be interviewed\, Patient 1 presents the demeanor we expect of Holmes; he is brusque and rather forward with Watson. He wears a jacket\, vest and slacks and looks almost identical to the Holmes we all know. / A sinister man who approaches The Woman with a proposition to steal a document from Signor Fonseca. (Role Requires a British Accent) \nHOLMES 2 (M\, 40s-50s) The second Holmes is disheveled\, restless and exhibits the skeptical nature of Sherlock Holmes. He wears a straitjacket and has long hair. (Role Requires a British Accent) \nHOLMES 3/SIGNOR FONSECA (M\, 40s-50s) The third Holmes also looks similar to the Holmes Watson remembers\, but his head is shaved. He does not speak\, nor can he appear to hear. His gaze is always forward\, as he is in a catatonic state. / A jealous Italian man with a thick accent and a curly black mustache. He is a performer at the masque ball. (Role may require actor to shave their head. Requires a British Accent) URL:https://lbplayhouse.org/event/auditions-holmes-and-watson/ CATEGORIES:Auditions ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/07/Holmes-and-Watson-Audition-Banner-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220723T200000 DTEND;TZID=America/Los_Angeles:20220820T230000 DTSTAMP:20260404T005844 CREATED:20200204T225535Z LAST-MODIFIED:20220822T210751Z UID:5385-1658606400-1661036400@lbplayhouse.org SUMMARY:THE CRIPPLE OF INISHMAAN DESCRIPTION:Billy’s dream of getting away from the island of Inishmaan seems to come true when he gets the chance to meet Hollywood director Robert Flaherty as he comes to the neighboring island of Inishmore to film his next project. Will Billy have the chance to escape his tedious daily life and the casual meanness of the other inhabitants of this small Irish island\, or will it all go wrong? Find out in this very funny\, darkly comic tale from the playwright who brought us The Lieutenant of Inishmore and the recent Oscar-nominated film\, Three Billboards Outside Ebbing\, Missouri. McDonagh’s characters will entertain you as they balance on his famous tightrope of cruelty\, kindness\, humor\, and vulnerability. \nCAST:\n\nMary Price Moore (KATE)\nCarmen Tunis (EILEEN)\nKarl Schott (JOHNNYPATEENMIKE)\nDylan La Rocque (BILLY)\nRonan Walsh (BARTLEY)\nMakena Margolin (HELEN)\nPatrick Peterson (BABBYBOBBY)\nFloyd Harden (DOCTOR McSHARRY)\nKip Hogan (MAMMY)\n\n  \nSHOW TRAILER:\n \nPREVIEW CLIP:\n \nPERFORMANCE PHOTOS:\n\n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 1: Carmen Tunis (EILEEN)\, Mary Price Moore (KATE)\n(Michael Hardy Photography)\n \n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 2: Carmen Tunis (EILEEN)\, Mary Price Moore (KATE)\, Dylan La Rocque (BILLY)\n(Michael Hardy Photography)\n \n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 3: Carmen Tunis (EILEEN)\, Ronan Walsh (BARTLEY)\n(Michael Hardy Photography)\n \n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 4: Patrick Peterson (BABBYBOBBY)\n(Michael Hardy Photography)\n \n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 5: Patrick Peterson (BABBYBOBBY)\, Karl Schott (JOHNNYPATEENMIKE)\n(Michael Hardy Photography)\n \n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 6: Karl Schott (JOHNNYPATEENMIKE)\, Kip Hogan (MAMMY)\, Floyd Harden (DOCTOR McSHARRY)\n(Michael Hardy Photography)\n \n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 7: Karl Schott (JOHNNYPATEENMIKE)\, Kip Hogan (MAMMY)\, Floyd Harden (DOCTOR McSHARRY)\n(Michael Hardy Photography)\n \n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 8: Karl Schott (JOHNNYPATEENMIKE)\, Kip Hogan (MAMMY)\n(Michael Hardy Photography)\n \n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 9: Makena Margolin (HELEN)\, Ronan Walsh (BARTLEY)\n(Michael Hardy Photography)\n \n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 10: Dylan La Rocque (BILLY)\n(Michael Hardy Photography)\n \n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 11: Ronan Walsh (BARTLEY)\, Carmen Tunis (EILEEN)\, Mary Price Moore (KATE)\, Dylan La Rocque (BILLY)\n(Michael Hardy Photography)\n \n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 12: Karl Schott (JOHNNYPATEENMIKE)\n(Michael Hardy Photography)\n \n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 13: Dylan La Rocque (BILLY)\, Makena Margolin (HELEN)\n(Michael Hardy Photography)\n \n \n \n \n \n THE CRIPPLE OF INISHMAAN (STUDIO\, July 23 – Aug. 20\, 2022)\nPHOTO 14: Patrick Peterson (BABBYBOBBY)\, Ronan Walsh (BARTLEY)\, Makena Margolin (HELEN)\, Carmen Tunis (EILEEN)\, Dylan La Rocque (BILLY)\, Mary Price Moore (KATE)\, Karl Schott (JOHNNYPATEENMIKE)\, Kip Hogan (MAMMY)\, Floyd Harden (DOCTOR McSHARRY)\n(Michael Hardy Photography)\n \n \n\n \nA BIG THANK YOU TO THE PORT OF LONG BEACH FOR SPONSORING OUR OPENING NIGHT GALA! URL:https://lbplayhouse.org/event/the-cripple-of-inishmaan/ CATEGORIES:Studio Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2020/02/Cripple-Inishmaan-Event-Banner-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20220718 DTEND;VALUE=DATE:20220807 DTSTAMP:20260404T005844 CREATED:20140516T031837Z LAST-MODIFIED:20230404T213158Z UID:1117-1658102400-1659830399@lbplayhouse.org SUMMARY:Summer Youth Programming DESCRIPTION: \nAges 9 and Up\nFirst Session  July 18 – 22 \, 2022 FULL NO SPOTS LEFT\nSecond Session  August 1 – 5 \, 2022\nWe are full! We are excited to work with all our campers this week and in August\nLBP and Jewel Box will be offering a week long camp in July and another week long camp in August. \n\nRegistration form and Scholarship Request form below!\nFor those requesting Scholarship Funds please fill out both forms below. Thank you! \nPayment will be taken closer to camp start date. Cash\, checks\, and credit cards are accepted. \nTuition: $250 per week \n\nTo find out more about Jewel Box you can visit their main website HERE\n \n\n\n \n \n Scholarship Request Form \n For LBP Summer Youth programs \n \n Parent/Guardian Name:*Name and age of student applying:*Phone:*Email:*Zip Code:*Annual household income:*Number of children in household:*Tell us about the camper:CommentsThis field is for validation purposes and should be left unchanged. URL:https://lbplayhouse.org/event/summer-youth/ CATEGORIES:Education,Summer Youth ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2014/05/image_6483441.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220711T190000 DTEND;TZID=America/Los_Angeles:20220713T220000 DTSTAMP:20260404T005844 CREATED:20220607T212121Z LAST-MODIFIED:20220607T212121Z UID:6740-1657566000-1657749600@lbplayhouse.org SUMMARY:AUDITIONS: THE REVOLUTIONISTS DESCRIPTION:TITLE: THE REVOLUTIONISTS \nAUTHOR: Lauren Gunderson \nDIRECTORS: Madison Mooney & Gregory Cohen \nRUN:  September 3 – October 1\, 2022 \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. \nThis is a volunteer community theater production.  Non-Equity.  There is no pay. At this time\, all volunteers including actors must be fully vaccinated to participate in shows. \nAUDITION DATES:\nOpen Call \nDates: Monday\, July 11\, and Tuesday\, July 12\, 2022 \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: \nDate and Time: Wednesday. July 13\, 2022\, 7:00 pm\, by invitation only. \nREHEARSALS:\nFirst Read-Through: Sat. July 16\, 2022 – Noon – 3pm \nRehearsals: Mondays – Thursdays\,7:00-10:00pm; Possible occasional Saturday mornings\, 9:00am – 1:00pm \n(See Beginning Rehearsal Schedule for specific dates and times.) \nLINK TO BEGINNING REHEARSAL SCHEDULE\nLocation: Long Beach Playhouse \nAUDITION REQUIREMENTS:\nBring headshot and resume. Sides for cold readings will be provided at the auditions.If you are called back\, you will be taught a short section of the closing song and asked to sing it.  This is not a musical\, but being able to hold your own in this final song is important. \nPlease bring your vaccination card as written proof of full vaccination to the auditions. Masks will be required at the auditions. \nSHORT SYNOPSIS:  \nFour beautiful\, badass women lose their heads in this irreverent comedy set during the French Revolution. This grand and dream-tweaked comedy is about violence and legacy\, art and activism\, feminism and terrorism\, compatriots and chosen sisters\, and how we actually go about changing the world. \nCASTING THE FOLLOWING ROLES:\nNOTE: All Ethnicities are encouraged to audition for any role except for the role of MARIANNE which will be cast with a black actor. \nNo accents are required for this production (with the possible exception of Marianne). \nOLYMPE DE GOUGES (F\, 30s – 60s) Badass activist playwright and feminist. Theatre nerd\, excitable\, self-centered\, passionate.  Widowed and never remarried to ensure her personal freedom.  \nMARIANNE ANGELLE (F\, 20s – 40s) A badass Black woman originally from the Caribbean.  A free woman and a spy\, working with her husband.  Tough\, classy\, intelligent and totally sane. \nCHARLOTTE CORDAY (F\, 18 – 40s) Badass country girl and assassin. Very serious\, hardened by righteousness\, never been kissed and just a tiny bit short of batshit crazy. Also plays FRATERNITE (male oppressor) in a mask. \nMARIE-ANTOINETTE (F\, 20s – 50s) Less badass\, but fascinating former queen of France. Bubbly\, graceful\, glamorous\, opinionated\, and often totally unaware.  Never had a real friend until now and never realized she needed one.  Also plays FRATERNITE (male oppressor) in a mask. URL:https://lbplayhouse.org/event/auditions-the-revolutionists/ CATEGORIES:Auditions ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/06/The-Revolutionists-Audition-Banner-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220702T200000 DTEND;TZID=America/Los_Angeles:20220813T230000 DTSTAMP:20260404T005844 CREATED:20190710T225546Z LAST-MODIFIED:20220822T210703Z UID:4856-1656792000-1660431600@lbplayhouse.org SUMMARY:Stephen Sondheim’s COMPANY DESCRIPTION:On his 35th birthday\, the confirmed bachelor Robert celebrates yet again with his collection of married friends\, and begins to question his place in their lives.  As it becomes clear that he is using these relationships as a shield to fully committing in his own life\, he makes self-discoveries\, both crushing and highly comic\, that will propel him into his own future.  Peppered with some of Sondheim’s greatest songs such as “Being Alive” and “The Ladies Who Lunch\,” this classic American musical will leave you humming and laughing through your tears.  Come be part of the celebration; come be company! \nCAST:\n\nCris Cortez (ROBERT)\nSerena Bottiani-Henderson (SARAH)\nDaniel Berlin (HARRY)\nLea Mano (SUSAN)\nAdolfo Becerra (PETER)\nKelsey Weinstein (JENNY)\nBarry Ko (DAVID)\nMabel Schreffler (AMY)\nMinhquan Nguyen (PAUL)\nMegan Cherry (JOANNE)\nBrian Moe (LARRY)\nCarole Louise (MARTA)\nColleen McCandless (KATHY)\nSasha Badia (APRIL)\n\n  \nSHOW TRAILER:\n \n  \nPREVIEW CLIPS FROM THE SHOW:\n \n \nPERFORMANCE PHOTOS:\n\n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 1: Adolfo Becerra (PETER)\, Lea Mano (SUSAN)\, Minhquan Nguyen (PAUL)\, Mabel Schreffler (AMY)\, Serena Bottiani-Henderson (SARAH)\, Cris Cortez (ROBERT)\, Daniel Berlin (HARRY)\, Brian Moe (LARRY)\, Megan Cherry (JOANNE)\, Barry Ko (DAVID)\, Kelsey Weinstein (JENNY)\n(Michael Hardy Photography)\n \n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 2: Cris Cortez (ROBERT)\, Serena Bottiani-Henderson (SARAH)\, Daniel Berlin (HARRY)\n(Michael Hardy Photography)\n \n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 3: Lea Mano (SUSAN)\, Carole Louise (MARTA)\, Adolfo Becerra (PETER)\, Cris Cortez (ROBERT)\n(Michael Hardy Photography)\n \n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 4: Cris Cortez (ROBERT)\, Kelsey Weinstein (JENNY)\, Barry Ko (DAVID)\n(Michael Hardy Photography)\n \n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 5: Carole Louise (MARTA)\, Colleen McCandless (KATHY)\, Sasha Badia (APRIL)\n(Michael Hardy Photography)\n \n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 6: Cris Cortez (ROBERT)\, Carole Louise (MARTA)\n(Michael Hardy Photography)\n \n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 7: Colleen McCandless (KATHY)\, Cris Cortez (ROBERT)\n(Michael Hardy Photography)\n \n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 8: FRONT: Mabel Schreffler (AMY)\, Minhquan Nguyen (PAUL)\, BACK: Cast of COMPANY\n(Michael Hardy Photography)\n \n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 9: Cris Cortez (ROBERT)\, Mabel Schreffler (AMY)\, Minhquan Nguyen (PAUL)\n(Michael Hardy Photography)\n \n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 10: Full Cast of COMPANY in “Side by Side”\n(Michael Hardy Photography)\n\n \n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 11: Sasha Badia (APRIL)\, Cris Cortez (ROBERT)\n(Michael Hardy Photography)\n \n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 12: Megan Cherry (JOANNE)\, Brian Moe (LARRY)\n(Michael Hardy Photography)\n \n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 13: Cris Cortez (ROBERT)\, Megan Cherry (JOANNE)\n(Michael Hardy Photography)\n \n \n \n \n \n COMPANY The Musical (MAINSTAGE\, July 2 – Aug. 6\, 2022)\nPHOTO 14: BACK ROW: Serena Bottiani-Henderson (SARAH)\, Daniel Berlin (HARRY)\, Minhquan Nguyen (PAUL)\, Mabel Schreffler (AMY)\, Colleen McCandless (KATHY)\, Colleen McCandless (KATHY)\, Brian Moe (LARRY)\, Adolfo Becerra (PETER)\, Lea Mano (SUSAN)\nFRONT ROW: Kelsey Weinstein (JENNY)\, Barry Ko (DAVID)\, Sasha Badia (APRIL)\, Cris Cortez (ROBERT)\, Carole Louise (MARTA)\n(Michael Hardy Photography)\n \n \n \n  \n \nA BIG THANK YOU TO THE PORT OF LONG BEACH FOR SPONSORING OUR OPENING NIGHT GALA! URL:https://lbplayhouse.org/event/stephen-sondheims-company/ CATEGORIES:Mainstage Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2019/07/Company-WS-FB-Event-Banner-2-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220531T190000 DTEND;TZID=America/Los_Angeles:20220602T220000 DTSTAMP:20260404T005844 CREATED:20220307T224939Z LAST-MODIFIED:20220506T203918Z UID:6556-1654023600-1654207200@lbplayhouse.org SUMMARY:AUDITIONS: THE CRIPPLE OF INISHMAAN DESCRIPTION:TITLE: THE CRIPPLE OF INISHMAAN \nAUTHOR: Martin McDonagh \nDIRECTOR: Susan Boulanger \nRUN:  July 23 – August 20\, 2022 \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. \nThis is a volunteer community theater production.  Non-Equity.  There is no pay. At this time\, all volunteers including actors must be fully vaccinated to participate in shows. \nAUDITION DATES:\nOpen Call: \nDates: Tuesday\, May 31 and Wednesday\, June 1 2022 \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: \nDate and Time: Thursday\, June 2 2022\, 7pm – 10pm\, by invitation only. \nREHEARSALS:\nFirst Read-Through: Saturday\, June 4\, 2022\, Noon – 4pm  \nRegular Rehearsal: Mondays\, Tuesdays\, Wednesdays 7pm – 10pm; Saturdays 11am – 3pm; some Thursday and Sunday evenings possible depending on schedules. \n(See Beginning Rehearsal Schedule for specific dates and times.) \nLocation: Long Beach Playhouse \nBEGINNING REHEARSAL SCHEDULE\n  \nAUDITION REQUIREMENTS:\nBring headshot and resume. Sides for cold readings will be provided at the auditions. Reading the script prior to auditions will be helpful.   \nBring your Irish dialect if you have one.  \nAll ethnicities encouraged to audition. \nPlease bring your vaccination card as written proof of full vaccination to the auditions. Masks will be required at the auditions. \nSHORT SYNOPSIS:  \nSet on a remote island off the west coast of Ireland in 1934\, THE CRIPPLE OF INISHMAAN is a strange comic tale in the great tradition of Irish storytelling. Word arrives on Inishmaan that the Hollywood director Robert Flaherty is coming to the neighboring island of Inishmore to film Man of Aran and is seeking locals to be in the movie. Young Billy Claven\, who is known to the townspeople as Cripple Billy\, sees this as a chance to escape the tedium\, poverty\, and gossip of Inishmaan. A dark comedy full of colorful characters\, humor and poignancy. \nCASTING THE FOLLOWING ROLES:\nNOTE: All roles require a mild Irish dialect.   \nAll ethnicities are encouraged to audition for any role. \nBILLY CLAVEN (M\, 18 – 25 to play 17/18) A boy with physical deformities that render both his left arm and right leg useless. Over the course of the play\, Billy attempts to achieve something\, anything\, by sailing to Inishmore to audition for a role in a film. He is torn between his obligations to his aunts and his own happiness. Shy and unhappy\, he wants to be seen as more than his physical handicap and his tragic past. \nKATE OSBORNE (F\, 45 – 68 to play mid-60s) One of Billy’s anxious\, adoptive aunts\, Kate is the most worrisome and the most obsessive. She has a habit of talking to stones when she is under stress. \nEILEEN OSBOURNE (F\, 45 – 68 to play mid-60s) Billy’s other adoptive aunt. She is more grounded than her sister\, but is still a worrier when it comes to Billy\, especially when he’s off staring at cows. She is a compulsive candy-eater when she is under stress. \nJOHNNYPATEENMIKE (M\, 45 – 68 to play mid-60s) The town gossip\, he embodies the Irish tradition of storytelling. Bitter and full of his own self-importance\, he brings the only kind of news available or interesting to the people of Inishmaan – and he expects payment in kind. He is not above lurking in the shadows to get the scoop on local gossip. He has a combative relationship with his 90 year old alcoholic mother\, whom he encourages to die on a regular basis.  \nHELEN (F\, 18 – 25 to play 17/18) Fiery\, fierce\, and just plain mean in one moment\, begrudgingly caring in the next\, Helen is a young woman who is not to be messed with. Her self-confidence is part of what makes her so attractive to Billy. She is a brutally comic character who throws eggs at priests\, stomps on geese\, and beheads a cat before the play is through. \nBARTLEY (M\, 18-24 to play 16/17) Helen’s not-too-bright younger brother\, he is a rural teenage boy who obsesses about telescopes and sweets\, asks too many questions\, incurs Helen’s wrath on a regular basis\, and is fascinated by the island’s few unusual qualities. He may represent the boy Billy would have been in a different life. \nBABBYBOBBY BENNET (M\, early 30s) Handsome\, muscular. One of Inishmaan’s resident boatmen\, his wife’s premature death has taken a toll on him. He can be gruff\, but there is a sadness in him. He is the only character that is able to truly sympathize with Billy. \nDOCTOR McSHARRY (M or F\, early 40s) Professional\, yet exasperated\, McSharry is the island doctor who can oftentimes see the extent of the absurdity on the island. McSharry can be cast as either a male or female character. \nMAMMY O’DOUGAL (F\, 55-70s to play early 90s) Johnny’s ancient\, alcoholic\, foul-mouthed mother. Johnny would love nothing more than for Mammy to up and die. Thus\, she is constantly engaged in spiteful banter with him. Strong comedic role for someone who can play older.  URL:https://lbplayhouse.org/event/auditions-the-cripple-of-inishmaan/ CATEGORIES:Auditions ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/03/Cripple-Inishmaan-Audition-Banner-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220521T200000 DTEND;TZID=America/Los_Angeles:20220618T230000 DTSTAMP:20260404T005844 CREATED:20190710T215242Z LAST-MODIFIED:20220613T214757Z UID:4850-1653163200-1655593200@lbplayhouse.org SUMMARY:INTIMATE APPAREL DESCRIPTION:From Pulitzer Prize winning playwright Lynn Nottage\, writer of Crumbs from the Table of Joy and By the Way\, Meet Vera Stark\, comes this tale of love and desire at the turn of the 20th century.  Esther\, a talented black seamstress\, saves her money as she works toward her future sewing intimate apparel for wealthy matrons and prostitutes alike.  Even as she longs for a forbidden love\, she accepts a future with a distant correspondent who woos her with possibilities.  As Esther’s dreams seem to lie beyond her grasp\, her deft fingers stitch together the hope of her dreams. \nCAST LIST:\n\nAlisha Elaine Anderson (ESTHER)\nRobyn Hastings (MRS. DICKSON)\nAllison Lynn Adams (MRS. VAN BUREN)\nTaylor Goss (MR. MARKS)\nRena Bobbs (MAYME)\nJames F. Webb III (GEORGE)\n\n  \nSHOW TRAILER:\n \nPERFORMANCE PHOTOS:\n\n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022) \nPHOTO 1: Robyn Hastings (MRS. DICKSON)\, Alisha Elaine Anderson (ESTHER)\n(Michael Hardy Photography)\n \n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022) \nPHOTO 2: Alisha Elaine Anderson (ESTHER)\, Allison Lynn Adams (MRS. VAN BUREN)\n(Michael Hardy Photography)\n\n \n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022)  \nPHOTO 3: Alisha Elaine Anderson (ESTHER)\, Taylor Goss (MR. MARKS)\n(Michael Hardy Photography)\n \n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022) \nPHOTO 4: Alisha Elaine Anderson (ESTHER)\, Rena Bobbs (MAYME)\n(Michael Hardy Photography)\n \n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022) \nPHOTO 5: James F. Webb III (GEORGE)\n(Michael Hardy Photography)\n \n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022) \nPHOTO 6: Alisha Elaine Anderson (ESTHER)\, Rena Bobbs (MAYME)\n(Michael Hardy Photography)\n \n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022) \nPHOTO 7: Alisha Elaine Anderson (ESTHER)\, Taylor Goss (MR. MARKS)\n(Michael Hardy Photography)\n \n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022) \nPHOTO 8: Alisha Elaine Anderson (ESTHER)\, James F. Webb III (GEORGE)\n(Michael Hardy Photography)\n \n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022) \nPHOTO 9: Rena Bobbs (MAYME)\n(Michael Hardy Photography)\n \n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022) \nPHOTO 10: Allison Lynn Adams (MRS. VAN BUREN)\n(Michael Hardy Photography)\n \n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022) \nPHOTO 11: Rena Bobbs (MAYME)\, James F. Webb III (GEORGE)\n(Michael Hardy Photography)\n\n \n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022) \nPHOTO 12: Robyn Hastings (MRS. DICKSON)\n(Michael Hardy Photography)\n \n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022) \nPHOTO 13: Alisha Elaine Anderson (ESTHER)\n(Michael Hardy Photography)\n \n \n \n \n \n INTIMATE APPAREL (MAINSTAGE\, MAY 21 – JUNE 18\, 2022) \nPHOTO 14: Robyn Hastings (MRS. DICKSON)\, Taylor Goss (MR. MARKS)\, Allison Lynn Adams (MRS. VAN BUREN)\, Alisha Elaine Anderson (ESTHER)\, James F. Webb III (GEORGE)\, Rena Bobbs (MAYME)\n(Michael Hardy Photography)\n \n \n \n  \nThe Long Beach Playhouse is so excited to have the Opening Night Gala sponsored by URL:https://lbplayhouse.org/event/intimate-apparel/ CATEGORIES:Mainstage Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2019/07/Intimate-Apparel-Event-Banner-2-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220503T190000 DTEND;TZID=America/Los_Angeles:20220505T230000 DTSTAMP:20260404T005844 CREATED:20220307T234238Z LAST-MODIFIED:20220412T195410Z UID:6572-1651604400-1651791600@lbplayhouse.org SUMMARY:AUDITIONS: COMPANY The Musical DESCRIPTION:TITLE: COMPANY  \nAUTHOR: Music and Lyrics by Stephen Sondheim\, Book by George Furth \nDIRECTOR: Sean Gray \nASSIST. DIRECTOR & CHOREOGRAPHER: Sonya Randall \nMUSICAL DIRECTOR: Stephen Olear \nRUN: July 2 – Aug. 6\, 2022 with extension to Aug. 13\, 2022 \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. \nThis is a volunteer community theater production.  Non-Equity.  There is no pay.  \nAt this time\, all volunteers including actors must be fully vaccinated to participate in shows. \nAUDITION DATES:\nOpen Call: \nDates: Tuesday\, May 3 & Wednesday\, May 4\, 2022 \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: \nDate and Time: Thursday\, May 5\, 2022\, 7pm – 11pm\, by invitation only. \nREHEARSALS:\nFirst Rehearsal: First Read-Through: Saturday\, May 7\, 2022\, Noon – 4pm \nRegular Rehearsal: Starting Sunday\, May 8\, 2022\, Mondays – Thursday\, 7pm – 10:30pm; Saturdays 11am – 3:30pm; Select Sundays 6pm – 9:30pm. \n(See Beg. Rehearsal Schedule for exact dates and times.) \nLocation: Long Beach Playhouse \nBEGINNING REHEARSAL SCHEDULE\n  \nAUDITION REQUIREMENTS:\nBring headshot and resume. Please be familiar with the show.  \nAT THE OPEN CALL: Please prepare 16 bars of a classical musical theater song in the style of the show but not from the show – please no Jason Robert Brown or Sondheim songs. Be prepared to present a character and to act with your song. \nAT THE CALLBACKS: – Scene sides will be read\, songs from the show will be learned and sung\, and a dance callback will be seen. \nPlease bring your vaccination card as written proof of full vaccination to the auditions. Masks will be required at the auditions. \nSHORT SYNOPSIS:  \nOn his 35th birthday\, the confirmed bachelor Robert celebrates yet again with his collection of married friends\, and begins to question his place in their lives.  As it becomes clear that he is using these relationships as a shield to fully committing in his own life\, he makes self-discoveries\, both crushing and highly comic\, that will propel him into his own future.  Containing some of Sondheim’s greatest songs\, such as “Being Alive” and “The Ladies Who Lunch\,” and “Not Getting Married Today.” \nCASTING THE FOLLOWING ROLES:\nNOTE:  All roles are open to any race or ethnicity and we encourage everyone to audition.  All roles are singing roles. \nROBERT (BOBBY) (M\, to play 30 – 35\, Vocal Range: Tenor G3 – G5) The story’s protagonist\, he is a keen observer who appears happy but holds pain in his heart. He is the only one of his friends still single. Terrified of marriage and fears a lifelong loneliness. Sings in “Company\,” “Someone is Waiting\,” “Merry Me a Little\,” “Side by Side\,” “Barcelona\,” and “Being Alive.” \nSARAH (F\, to play 30 – 40\, Vocal Range: Alto A3 – A5) Harry’s hyper critical wife. She is an avid learner of karate and tends to overeat. Open\, accepting\, and full of love. Sings in group numbers and “Poor Baby.” (Role will require fight choreography)  \nHARRY (M\, to play 35 – 45\, Vocal Range: Bartione A3 – A5) Sarah’s husband. He is a recovering alcoholic continually falling off the wagon. Believes the advantages of marriage outweigh the disadvantages. Sings in group numbers and “Sorry-Grateful\,” and “Have I got a Girl for You.” (Role will require fight choreography) \nSUSAN (F\, to play 30 – 40\, Vocal Range: Mezzo A3 – A5) A delicate southern belle. Peter’s wife and ex-wife. Motherly in her affections towards Robert. Sings in group numbers and “Poor Baby.” \nPETER (M\, to play 30 – 40\, Vocal Range: Baritone B3 – A5) Susan’s husband. The perfect husband and ex-husband. He is very liberal in his view of relationships. Sings in group numbers and“Have I got a Girl for You.” \nJENNY / or BENNY (F or M\, to play 30 – 40\, Vocal Range: Soprano or Tenor A3 – A5) Quietly manipulative\, simultaneously square and wise. Loves her/ or his husband\, David\, and will indulge him from time to time. Sings in group numbers and “Poor Baby.” (Role may be cast as either Female or Male.) \nDAVID (M\, to play 30 – 40\, Vocal Range: Tenor B3 – A5) Jenny’s /or Benny’s husband\, he is relaxed and always in control. Believes a man should be married and that the sacrifice of freedom is worth what you get in return. Sings in group numbers and “Sorry-Grateful\,” and “Have I got a Girl for You.” \nAMY (F\, to play 25 – 35\, Vocal Range: Alto G3 – A5) A frantic neurotic engaged to Paul but terrified of marriage. After a mental breakdown\, she finally realizes that Paul is\, in fact\, her soulmate. Sings in group numbers and “Getting Married Today\,” and “Poor Baby.” \nPAUL (M\, to play 30 – 40\, Vocal Range: Tenor B3 – A5) Amy’s fiancé. Mildly clingy\, but patient to her neurotic nature. He is fully committed to the idea of marriage and encourages Robert to do the same. Sings in group numbers and “Getting Married Today” and “Have I got a Girl for You.” \nJOANNE (F\, to play 40 – 50\, Vocal Range: Alto G3 – B5) Acerbic\, demanding\, and blunt. Too old to be part of the young crowd\, but not old enough to be part of the older crowd. Puts on a brassy front that melts when she is alone with her husband. Sings in group numbers and “The Little Things You Do Together\,” “Poor Baby\,” and “The Ladies Who Lunch.” \nLARRY (M\, to play 45 – 55\, Vocal Range: Tenor B3 – A5) Joanne’s husband. He is stoic and centered\, but has moments of goofiness. Indulges his wife’s behavior but knows when to put his foot down. Sings in group numbers and “Sorry-Grateful\,” and “Have I got a Girl for You.” \nMARTA (F\, to play 20 – 30\, Vocal Range: Mezzo A3 – A5) A girlfriend of Robert’s. Intensely modern\, who is seeking adventure and excitement in the City. Sings in group numbers and “You Could Drive a Person Crazy\,” and “Another Hundred People.”  \nKATHY (F\, to play 25 – 35\, Vocal Range: Mezzo A3 – A5) An old girlfriend of Robert’s\, who is now considered a good friend. She plans to leave the City for a life of domesticity. Sweet and loving. Sings in group numbers and “You Could Drive a Person Crazy.” \nAPRIL (F\, to play 25 – 35\, Vocal Range: Mezzo A3 – A5) A girlfriend of Robert’s. She is a flight attendant who came to New York to live in Radio City. Ditzy and adorable. Sings in group numbers and “You Could Drive a Person Crazy\,” and “Barcelona.” URL:https://lbplayhouse.org/event/auditions-company-the-musical/ CATEGORIES:Auditions ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/03/Company-2022-Audition-Banner-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220430T200000 DTEND;TZID=America/Los_Angeles:20220528T230000 DTSTAMP:20260404T005844 CREATED:20220304T202534Z LAST-MODIFIED:20220602T233932Z UID:6523-1651348800-1653778800@lbplayhouse.org SUMMARY:AVENUE Q DESCRIPTION:Produced by JD THEATRICALS in Collaboration with the Long Beach Playhouse. \nThis laugh-out-loud musical tells the timeless story of a recent college grad named Princeton\, who moves into a shabby New York apartment all the way out on Avenue Q. He soon discovers that\, although the residents seem nice\, it’s clear that this is not your ordinary neighborhood. Together\, Princeton and his new-found friends struggle to find jobs\, dates and their ever-elusive purpose in life. Filled with gut-busting humor and a delightfully catchy score\, not to mention puppets\, Avenue Q is a truly unique show that has quickly become a favorite for audiences everywhere. \nCAST LIST:\n\nZachary Balagot (PRINCETON)\nKelsey Weinstein (KATE MONSTER)\nBrandon Gomez (NICKY/MRS. THISTLEWAT)\nSean McCallon (ROD)\nGloria Henderson (CHRISTMAS EVE)\nDavid Ponce (BRIAN)\nEileen Goodwin (GARY COLEMAN)\nEric Schiffer (TREKKIE MONSTER)\nMia Anderson (LUCY THE SLUT)\nCris Cortez (BAD IDEA BEAR/RICKY/NEW GUY)\nMabel Schreffler (BAD IDEA BEAR)\n\nPERFORMANCE PHOTOS:\n\n \n \n \n \n AVENUE Q (STUDIO\, April 30 – May 28\, 2022)\nPHOTO 1: Eileen Goodwin (GARY COLEMAN)\, David Ponce (BRIAN)\n(Stephanie Noel Garrison Photography)\nProduced by JD Theatricals in Collaboration with the Long Beach Playhouse\n \n \n \n \n \n AVENUE Q (STUDIO\, April 30 – May 28\, 2022)\nPHOTO 2: Zachary Balagot (PRINCETON)\, Eileen Goodwin (GARY COLEMAN)\n(Stephanie Noel Garrison Photography)\nProduced by JD Theatricals in Collaboration with the Long Beach Playhouse\n \n \n \n \n \n AVENUE Q (STUDIO\, April 30 – May 28\, 2022)\nPHOTO 3: David Ponce (BRIAN)\, Gloria Henderson (CHRISTMAS EVE)\, Kelsey Weinstein (KATE MONSTER)\, Zachary Balagot (PRINCETON)\, Eileen Goodwin (GARY COLEMAN)\n(Stephanie Noel Garrison Photography)\nProduced by JD Theatricals in Collaboration with the Long Beach Playhouse\n \n \n \n \n \n AVENUE Q (STUDIO\, April 30 – May 28\, 2022)\nPHOTO 4: Kelsey Weinstein (KATE MONSTER)\, Zachary Balagot (PRINCETON)\n(Stephanie Noel Garrison Photography)\nProduced by JD Theatricals in Collaboration with the Long Beach Playhouse\n \n \n \n \n \n AVENUE Q (STUDIO\, April 30 – May 28\, 2022)\nPHOTO 5: Brandon Gomez (NICKY)\, Sean McCallon (ROD)\n(Stephanie Noel Garrison Photography)\nProduced by JD Theatricals in Collaboration with the Long Beach Playhouse\n \n \n \n \n \n AVENUE Q (STUDIO\, April 30 – May 28\, 2022)\nPHOTO 6: Eric Schiffer (TREKKIE MONSTER)\n(Stephanie Noel Garrison Photography)\nProduced by JD Theatricals in Collaboration with the Long Beach Playhouse\n \n \n \n \n \n AVENUE Q (STUDIO\, April 30 – May 28\, 2022)\nPHOTO 7: Mia Anderson (LUCY THE SLUT)\n(Stephanie Noel Garrison Photography)\nProduced by JD Theatricals in Collaboration with the Long Beach Playhouse\n \n \n \n \n \n AVENUE Q (STUDIO\, April 30 – May 28\, 2022)\nPHOTO 8: FRONT: Cris Cortez (BAD IDEA BEAR)\, Mabel Schreffler (BAD IDEA BEAR)\n(Stephanie Noel Garrison Photography)\nProduced by JD Theatricals in Collaboration with the Long Beach Playhouse\n \n \n \n \n \n AVENUE Q (STUDIO\, April 30 – May 28\, 2022)\nPHOTO 9: Kelsey Weinstein (KATE MONSTER)\, Gloria Henderson (CHRISTMAS EVE)\, Brandon Gomez (NICKY)\, Sean McCallon (ROD)\n(Stephanie Noel Garrison Photography)\nProduced by JD Theatricals in Collaboration with the Long Beach Playhouse\n \n \n \n \n \n AVENUE Q (STUDIO\, April 30 – May 28\, 2022)\nPHOTO 10: CAST PHOTO\n(Stephanie Noel Garrison Photography)\nProduced by JD Theatricals in Collaboration with the Long Beach Playhouse\n \n \n \n  URL:https://lbplayhouse.org/event/avenue-q/ CATEGORIES:Studio Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/03/Avenue-Q-Event-Banner-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220409T200000 DTEND;TZID=America/Los_Angeles:20220507T230000 DTSTAMP:20260404T005844 CREATED:20211028T235927Z LAST-MODIFIED:20220509T200853Z UID:6192-1649534400-1651964400@lbplayhouse.org SUMMARY:YOU CAN’T TAKE IT WITH YOU DESCRIPTION:After sweet Alice Sycamore becomes engaged to wealthy Tony Kirby the only thing standing in their way is the approval and blessing of their families. Easier said than done during the dinner between the eccentric Sycamore family and the strait-laced Kirby family. Will they be able to embrace each other’s quirks and faults to get along\, or is this new relationship doomed? Come see one of the most popular plays of the last century where the only thing louder than the fireworks exploding in the basement is the laughter roaring from the audience. \nCAST LIST:\n\nJohn Sturgeon (MARTIN VANDERHOF)\nTree Henson (PENELOPE SYCAMORE)\nTodd Rew (PAUL SYCAMORE)\nNatalie Kathleen (ALICE SYCAMORE)\nRem Garza (TONY KIRBY)\nLyndsay Palmer (ESSIE CARMICHAEL)\nGiovanni Navarro (ED CARMICHAEL)\nCarl DaSilva (MR. DE PINNA)\nJill Prout (RHEBA)\nMark Carlin (DONALD)\nRobb Tracy (KOLENKHOV)\nFrank Valdez (MR. KIRBY)\nAllison McGuire (MRS. KIRBY)\nGeraldine D. Fuentes (GAY WELLINGTON/THE GRAND DUCHESS)\nTed Burke (MR. HENDERSON/G-MAN)\nRudy Perez (G-MAN)\nIndiana Jones DeLao (G-MAN)\n\n  \nSHOW TRAILER:\n \nPREVIEW CLIP:\n \nPERFORMANCE  PHOTOS:\n\n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 1: Carl DaSilva (MR. DE PINNA)\, Tree Henson (PENELOPE SYCAMORE)\, Todd Rew (PAUL SYCAMORE)\n(Michael Hardy Photography)\n \n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 2: Lyndsay Palmer (ESSIE CARMICHAEL)\, Giovanni Navarro (ED CARMICHAEL)\n(Michael Hardy Photography)\n \n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 3: Jill Prout (RHEBA)\, Mark Carlin (DONALD)\n(Michael Hardy Photography)\n \n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 4: John Sturgeon (MARTIN VANDERHOF)\n(Michael Hardy Photography)\n\n \n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 5: John Sturgeon (MARTIN VANDERHOF)\, Natalie Kathleen (ALICE SYCAMORE)\, Giovanni Navarro (ED CARMICHAEL)\n(Michael Hardy Photography)\n \n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 6: John Sturgeon (MARTIN VANDERHOF)\, Lyndsay Palmer (ESSIE CARMICHAEL)\, Giovanni Navarro (ED CARMICHAEL)\, Ted Burke (MR. HENDERSON)\n(Michael Hardy Photography)\n \n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 7: Hayden Maher (TONY KIRBY)\, Natalie Kathleen (ALICE SYCAMORE)\, Robb Tracy (KOLENKHOV)\n(Michael Hardy Photography)\n \n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 8: Natalie Kathleen (ALICE SYCAMORE)\, Hayden Maher (TONY KIRBY)\n(Michael Hardy Photography)\n \n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 9: John Sturgeon (MARTIN VANDERHOF)\, Carl DaSilva (MR. DE PINNA)\, Tree Henson (PENELOPE SYCAMORE)\, Allison McGuire (MRS. KIRBY)\, Hayden Maher (TONY KIRBY)\, Frank Valdez (MR. KIRBY)\n(Michael Hardy Photography)\n \n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 10: Hayden Maher (TONY KIRBY)\, Allison McGuire (MRS. KIRBY)\, Frank Valdez (MR. KIRBY)\n(Michael Hardy Photography)\n \n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 11: FRONT: Indiana Jones DeLao (G-MAN)\, Giovanni Navarro (ED CARMICHAEL)\, Ted Burke (G-MAN)\, Rudy Perez (G-MAN)\, BACK: John Sturgeon (MARTIN VANDERHOF)\, Todd Rew (PAUL SYCAMORE)\, Tree Henson (PENELOPE SYCAMORE)\n(Michael Hardy Photography)\n \n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 12: Indiana Jones DeLao (G-MAN)\, Carl DaSilva (MR. DE PINNA)\, Ted Burke (G-MAN)\, Geraldine D. Fuentes (GAY WELLINGTON)\n(Michael Hardy Photography)\n \n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 13: Robb Tracy (KOLENKHOV)\, Geraldine D. Fuentes (THE GRAND DUCHESS)\n(Michael Hardy Photography)\n \n \n \n \n \n YOU CAN’T TAKE IT WITH YOU (MAINSTAGE\, April 9 – May 7\, 2022)\nPHOTO 14: BACK ROW: Ted Burke ((MR. HENDERSON/G-MAN))\, Indiana Jones DeLao (G-MAN)\, Rudy Perez (G-MAN)\, MIDDLE: Giovanni Navarro (ED CARMICHAEL)\, Geraldine Fuentes (GAY WELLINGTON/GRAND DUCHESS OLGA KATRINA)\, Mark Carlin (DONALD)\, Lyndsay Palmer (ESSIE CARMICHAEL)\, Jill Prout (RHEBA)\, Carl DaSilva (MR. DE PINNA)\, Robb Tracy (KOLENKHOV)\, Allison McGuire (MRS. KIRBY)\, Frank Valdez (MR. KIRBY) FRONT ROW: Todd Rew (PAUL SYCAMORE)\, Tree Henson (PENNY SYCAMORE)\, Jonathan Sturgeon (MARTIN VANDERHOF)\, Natalie Kathleen (ALICE SYCAMORE)\, Hayden Maher (TONY KIRBY)\n(Michael Hardy Photography)\n\n \n \n \n  \nThe Long Beach Playhouse is so excited to have the Opening Night Gala sponsored by URL:https://lbplayhouse.org/event/you-cant-take-it-with-you/ CATEGORIES:Mainstage Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2021/10/You-Cant_With-You-Event-Banner-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220328T190000 DTEND;TZID=America/Los_Angeles:20220330T230000 DTSTAMP:20260404T005844 CREATED:20220301T232140Z LAST-MODIFIED:20220314T202049Z UID:6515-1648494000-1648681200@lbplayhouse.org SUMMARY:AUDITIONS: INTIMATE APPAREL DESCRIPTION:TITLE: INTIMATE APPAREL \nAUTHOR: Lynn Nottage \nDIRECTOR: Brooke Aston \nRUN:  May 28th – June 18th\, 2022 \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. \nThis is a volunteer community theater production.  Non-Equity.  There is no pay.  \nAt this time\, all volunteers including actors must be fully vaccinated to participate in shows. \nAUDITION DATES:\nOpen Call:  \nDates: Monday\, March 28th & Tuesday\, 29th\, 2022 \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: \nDate and Time: Wednesday\, March 30th; 7pm – 10pm\, by invitation only. \nREHEARSALS:\nFirst Rehearsal – First Read-Through: Saturday\, April 2\, Noon – 3pm \nRegular Rehearsal: Starting on Monday\, April 4\, Mondays – Thursdays\, 7pm – 10pm; Saturdays\, 10am – 2 pm \nLocation: Long Beach Playhouse \nLINK TO BEGINNING REHEARSAL SCHEDULE\n  \nAUDITION REQUIREMENTS:\nBring headshot and resume.  \nPrepare 1 dramatic monologue no longer than 1 minute\, prepare 2nd monologue if possible. \nSides will be provided for Callback. \nPlease bring your vaccination card as written proof of full vaccination to the auditions. Masks will be required at the auditions. \nSHORT SYNOPSIS:  \nThe time is 1905\, the place New York City\, where Esther\, a black seamstress\, lives in a boarding house for women and sews intimate apparel for clients who range from wealthy white patrons to prostitutes. She has managed to stuff a goodly sum of money into her quilt over the years. Her plan is to find the right man and use the money she’s saved to open a beauty parlor. She begins to receive beautiful letters from a lonesome Barbadian man named George who is working on the Panama Canal. Esther’s heart seems to lie with the Orthodox Jewish shopkeeper from whom she buys cloth\, and his heart with her\, but the impossibility of the match is obvious to them both\, and Esther consents to marry George. When George arrives in New York\, however\, he turns out not to be the man his letters painted him to be\, and he absconds with Esther’s savings. Esther returns to the boarding house determined to use her gifted hands and her sewing machine to refashion her dreams. \nCASTING THE FOLLOWING ROLES:\nESTHER (African American\, F\, 35) The protagonist of the play; a black seamstress in New York who sews intimate apparel for ladies of all levels of society. She is described by herself and others as being a plain and unattractive woman. (This role requires intimate contact.) \nGEORGE (African American\, M\, 35-50) Barbadian man working on the Panama Canal. Barbadian Accent Required. (This role requires intimate contact.) \nMAYME (African American\, F\,  25-45) A black sex worker. Though Esther disapproves of Mayme’s line of work\, the two are close. Mayme initially moved to New York in the hope of playing ragtime piano in fancy clubs in Europe. (This role requires intimate contact.) \nMRS. VAN BUREN (Caucasian\, F\, 25-35) A wealthy white woman for whom Esther sews lingerie. Mrs. Van Buren is mostly successful at disguising her Southern roots\, is a part of New York high society but she’s extremely lonely and insecure. (This role requires intimate contact.) \nMR. MARKS (Romanian Jew\, M\, 25-45) A fabric seller who likely immigrated to the U.S. sometime in the last ten years. Mr. Marks is a bright and passionate man; he loves beautiful fabrics and the stories he learns about them. Eastern European  Accent Required. \nMRS. DICKSON (African American\, F\, 35+) The woman who owns the boardinghouse where Esther lives. Mrs. Dickson is proper and well to do. URL:https://lbplayhouse.org/event/auditions-intimate-apparel/ CATEGORIES:Auditions ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/03/Intimate-Apparel-Audition-Event-Banner.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220325T190000 DTEND;TZID=America/Los_Angeles:20220326T230000 DTSTAMP:20260404T005844 CREATED:20211116T002315Z LAST-MODIFIED:20220310T233932Z UID:6282-1648234800-1648335600@lbplayhouse.org SUMMARY:LBP NEW WORKS FESTIVAL 2022 DESCRIPTION:The Studio Collaborative: LBP NEW WORKS FESTIVAL 2022\nCompany: LBP New Works Committee producing \nDates: March 25 & 26 @ 7pm\, 2022 \nTickets: Free. Requires RSVP Registration. \nDescription: \nThe annual festival nurtures emerging and established playwrights to develop new scripts. Reading 100+ scripts a year\, the New Works Literary Committee chooses two top plays to receive a staged reading with critical feedback from professional theatre critics and an audience talk back. \nWe have our Winners!\nCongratulations to the winners of the LBP 2022 New Works Festival! The New Works Committee read nearly 100 scripts this year\, and we are pleased to announce the winners! Join us for the New Works Festival March 25 & 26. Admission is free thanks to a sponsorship from the Port of Long Beach. \nLOVELY DAY FOR A BOATING TRIP\nNon-Local Winner of the LBP New Works Festival 2022\nPlaying in the Long Beach Playhouse Studio Theater\nReading on Friday\, March 25\, 2022\nBy Lindsey Brown \nLOVELY DAY FOR A BOATING TRIP is a triptych of plays about three lovely days and three not so lovely boating trips as three groups of people each set out in a rowboat with darkly comic results. In play one\, a couple set out for open water with their marriage on the brink. Just how far would you trust your spouse? In play two\, a bride tests the limits friendship as she tries to escape her wedding. And in play three\, a man\, his girlfriend\, and his grandmother set out for a seemingly cozy picnic on a remote island. But what’s in all those heavy bags he’s bringing? \nCAST: \n“ . . . to Kill a Spouse” \n\nAnne Gundry (GLORIA)\nJeff Cheezum (GRAHAM)\n\n“ . . . to Escape Your Wedding” \n\nDesi Molinari (SADIE)\nMaria Oliviera (GWEN)\n\n“ . . . to Get Rid of a Body” \n\nRoxanne Martinez (NANA)\nJack Ritter (LEO)\nCarole Lousie (SIERRA)\n\n& \nREMBRANDT PERFECTED\nLocal Winner of the LBP New Works Festival 2022\nPlaying in the Long Beach Playhouse Studio Theater\nReading on Saturday\, March 26\, 2022\nBy Braddon Mendelson \nOn a Spring day in 1839\, American artist and telegraph inventor Samuel Morse and scenic artist Louis Daguerre — whose daguerreotype ushered in the new world of photography — meet for the first time in Daguerre’s studio in Paris. While demonstrating their inventions to one another\, they notice a silhouetted figure in one of Daguerre’s pictures and devise an outlandish plan to identify the individual\, the first human ever depicted in a photographic image. \nCAST: \n\nIan Roettger (LOUIS-JACQUES-MANDÉ DAGUERRE)\nAshley Gilmore (MADAME LOUISE GEORGINA DAGUERRE)\nJeremy Krasovic (SAMUEL MORSE)\nRick Werblin (FRANCOIS FAUCHEUX)\nAce Christensen (DR. CHARLES JACKSON)\nMark Eggert (CHARLES BOUTON)\nGideon Amick (BOOTBLACK/POLICEMAN)\n\nThank you to our amazing sponsor the PORT OF LONG BEACH URL:https://lbplayhouse.org/event/lbp-new-works-festival-2022/ CATEGORIES:Studio Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2021/11/2022-NWF-Banner.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220314T183000 DTEND;TZID=America/Los_Angeles:20220320T153000 DTSTAMP:20260404T005844 CREATED:20220310T160442Z LAST-MODIFIED:20220310T160502Z UID:6590-1647282600-1647790200@lbplayhouse.org SUMMARY:CRay Project Community Dance Classes DESCRIPTION:Join CRay Project teaching dance classes for all!\n$15 per class\n\n\nClass Schedule:\n\nMonday\, March 14th\n6:30p-7:30p -Adult Beginner Ballet\nBallet Technique class teaching the foundation for training and focusing on developing a solid ballet technique with emphasis on understanding correct body placement\, proper use of turn out\, coordination of the upper body and use of arms\n\n7:45p-9p-Corrective Stretch (Mats are highly encouraged)\nExamines fundamental concepts of movement and movement impairments with the use of pilates and yoga techniques\n\n\nTuesday\, March 15th\n6p-7:30p- Twerk Fitness\nFrom booty shaking\, body rolls\, hip\, booty and cheek isolation as well as hair whips and more\, this class will break down the basics of twerk through fitness and fun.\n \n7:30p-9p- Tip N Sip Heels Class (18 to TIP\, 21 to SIP)\nBasic heels class teaching the fundamentals of confidence\, sex appeal\, and rhythm while sipping your favorite drink!\n\nWednesday\, March 16th\n6:30p-7:30p- Adult Beginner Ballet\n\nBallet Technique class teaching the foundation for training and focusing on developing a solid ballet technique with emphasis on understanding correct body placement\, proper use of turn out\, coordination of the upper body and use of arms\n\n\n7:45p-9p- Corrective Stretch (Mats are highly encouraged)\nExamines fundamental concepts of movement and movement impairments with the use of pilates and yoga techniques\n \nThursday\, March 17th\n6:30p-7:30p- Afro Jazz (Beginner Level)\nA fusion of African\, Afro-Brazilian\, Caribbean and jazz dance styles.\n \n7:45p-9p- Dance Fitness\nNot your average “Step Aerobics” Class. High cardio class powered by hip hop moves\, fitness exercises\, and strengthening.\n \nFriday\, March 18th\n6p-7:30p-Hip Hop\nThis class introduces foundational Hip-Hop steps\, musicality\, and isolations of the body. Participants will be challenged to pick up phrase work and choreography. \n \n7:45p-9p- Dance Fitness\n\nNot your average “Step Aerobics” Class. High cardio class powered by hip hop moves\, fitness exercises\, and strengthening.\n\nSaturday\, March 19th\n10a-11a-Ballet Kids (up to age 12)\nClass is geared towards enhancing child’s coordination\, balance and flexibility with the teaching of basic ballet positions\, steps\, and terminology \n \n11a-12:30p-Adult Beginner Ballet\nBallet Technique class teaching the foundation for training and focusing on developing a solid ballet technique with emphasis on understanding correct body placement\, proper use of turn out\, coordination of the upper body and use of arms\n\n12:45p-2p-Hip Hop\nThis class introduces foundational Hip-Hop steps\, musicality\, and isolations of the body. Participants will be challenged to pick up phrase work and choreography. \n \n2p-4p-Beginner Heels\nThis dance class will teach posture\, poise and power as well as an introduction to choreography in an inclusive\, fun\, safe and beginner friendly environment. You will tackle the principles of wearing\, walking\, strutting and posing in heels.\n \nSunday\, March 20th\n12p-2p-Corrective Stretch\n\nExamines fundamental concepts of movement and movement impairments with the use of pilates and yoga techniques URL:https://lbplayhouse.org/event/cray-project-dance/ LOCATION:Long Beach Playhouse CATEGORIES:Studio Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/03/pins3.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220307T190000 DTEND;TZID=America/Los_Angeles:20220309T210000 DTSTAMP:20260404T005844 CREATED:20220218T000900Z LAST-MODIFIED:20220218T213240Z UID:6484-1646679600-1646859600@lbplayhouse.org SUMMARY:AUDITIONS: AVENUE Q DESCRIPTION:AUDITION NOTICE\nAVENUE Q\nPRODUCERS: JD THEATRICALS in collaboration with the Long Beach Playhouse \nAUTHOR: Music and Lyrics by Robert Lopez and Jeff Marx\, Book by Jeff Whitty \nDIRECTOR: Kathy Paladino \nFor more information\, contact the director\, kathypaladino@hotmail.com \nRUN:  April 29 – May 28\, 2022 \nFridays & Saturdays 8pm\, Sundays at 2pm. \nThis is a volunteer community theater production.  Non-Equity.  There is no pay. At this time\, all volunteers including actors must be fully vaccinated to participate in shows. \nAUDITION DATES:\nOpen Call: \nDates: Monday March 7th and March 8th\, 2022 \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: \nDate and Time: Wednesday\, March 9th\, 7pm – 10pm\, by invitation only. \nAUDITION REQUIREMENTS:\nBring headshot and resume. Please prepare at least 32 bars of music in the style of the show. \nPlease bring your vaccination card as written proof of full vaccination to the auditions. Masks will be required at the auditions. \nSHORT SYNOPSIS:  \nThis laugh-out-loud musical tells the timeless story of a recent college grad named Princeton\, who moves into a shabby New York apartment all the way out on Avenue Q. He soon discovers that\, although the residents seem nice\, it’s clear that this is not your ordinary neighborhood. Together\, Princeton and his new-found friends struggle to find jobs\, dates and their ever-elusive purpose in life. Filled with gut-busting humor and a delightfully catchy score\, not to mention puppets\, Avenue Q is a truly unique show that has quickly become a favorite for audiences everywhere. \nCASTING THE FOLLOWING ROLES:\nPUPPET CHARACTERS: Ages are an indication of the puppet age in the show\, not necessarily the age of the actual puppeteer: \nPRINCETON (early 20’s): A fresh-faced kid just out of college. He is looking for his “purpose” in life and is pursuing a career\, love and life satisfaction. He is a little naïve to the realities of life\, as most people are at that age. Bb2 – G4 Tenor \nKATE MONSTER (mid 20’s): A kindergarten teaching assistant\, a bit older than Princeton. She is kind\, considerate but can have a feisty side. “She’s not weak and she’s definitely not a generic ingénue who gets all swoony and dizzy when it comes to matters of the heart.” F#3 – F5 Soprano (Mezzo) \nNICKY (20’s): A bit of a slacker\, who lives with Rod. They are best friends but have a fiery relationship and can often be found arguing. B2 – B4 Tenor  \nROD (20’s/30’s): A Republican investment banker with a secret…he is struggling with coming to terms with his homosexuality. He comes out over the course of the show. “Rod carries a huge amount of the heart of the show. The actor playing him can have a ball even with the responsibility with keeping him true.” A2 – G4 Tenor  \nTREKKIE MONSTER (20’s/30’s): A reclusive creature obsessed by the Internet. Although he appears abrupt and rude\, a sensitive side is revealed during the show. He has a “Cookie Monster” growl to his voice which would need to be maintained. Bb2 – F#4 Baritone  \nLUCY (20’s/30’s): A vixenish vamp with a dangerous edge. She has starred in “Girls Gone Wild: Parts 2\, 5 and 7”. During the show she seduces Princeton which causes a showdown with Kate. F3 – D5 Alto (Belt)  \nTHE BAD NEWS BEARS (1 x Male\, 1 x Female): Two snuggly\, cute teddy-bear types who convince people to do bad things!! “The bears always work better when they’re cute cute cute and positive. Diabetes inducing sweet.” Male – Baritone. Female – Mezzo  \nMRS. T (Ancient): Kate’s boss. She is cranky and bossy.  \nHUMAN CHARACTERS: \nBRIAN (early 30’s-40’s) A laid-back guy married to Christmas Eve. Unemployed but dreams of becoming a famous ‘smutty’ comedian. “Calling a character “ordinary” is never helpful for any actor – but Brian does live in a relaxed\, easy-come easy-go world.” B2 – F#4 Baritone  \nCHRISTMAS EVE (20’s/30’s/40’s) A therapist who has moved here from Japan. Wears the trousers in her relationship with Brian. “She’s super smart. If you go for the easy stereotype the audience won’t find her funny after about eight minutes.” B3 – F#5 Soprano  \nGARY COLMAN Yes\, that Gary Coleman. He lives on the Avenue\, too! He’s the superintendent. He is a washed up Z-list celebrity who has had a public personal life. The part can be played by a black male/female. D2 – Bb4/D3 – Bb5* Tenor/Alto (Belt)  \nThis is a production of JD Theatricals which is producing the show at the Long Beach Playhouse. URL:https://lbplayhouse.org/event/auditions-avenue-q/ CATEGORIES:Auditions ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/02/Avenue-Q-2022-Event-Banner-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220305T200000 DTEND;TZID=America/Los_Angeles:20220305T230000 DTSTAMP:20260404T005844 CREATED:20181025T204049Z LAST-MODIFIED:20220303T003132Z UID:4224-1646510400-1646521200@lbplayhouse.org SUMMARY:PLAYS IN A DAY DESCRIPTION:The Studio Collaborative: PLAYS IN A DAY \nCompany: LBP\, Alex Shewchuk & Jesse Bosworth producing \nDates: March 5 @ 8pm \nTickets: $10 \nDescription:\nJoin us for an exhilarating evening of theatre. Witness the work of exhausted writers\, frantic actors\, and impulsive directors as they strive to create the debut performance of a show that will never be seen again! All the shows presented will be written\, rehearsed\, and performed in just one day! URL:https://lbplayhouse.org/event/plays-in-a-day/ CATEGORIES:Studio Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2019/10/Plays-in-a-Day-2022.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220228T190000 DTEND;TZID=America/Los_Angeles:20220228T190000 DTSTAMP:20260404T005844 CREATED:20220217T220354Z LAST-MODIFIED:20220217T220354Z UID:6478-1646074800-1646074800@lbplayhouse.org SUMMARY:AUDITIONS: 2022 NEW WORKS FESTIVAL DESCRIPTION:THE LBP 2022 NEW WORKS FESTIVAL\nShow 1: A LOVELY DAY FOR A BOATING TRIP \n Show 2: REMBRANDT PERFECTED \nAUTHORS: \nLindsey Brown (A Lovely Day for a Boating Trip) \n Braddon Mendelson (Rembrandt Perfected) \nDIRECTORS: \nShinShin Yuder Tsai (A Lovely Day for a Boating Trip) \n Holland Renton (Rembrandt Perfected) \nRUN: Stage Reading of  A LOVEY DAY FOR A BOATING TRIP on March 25\, 2022 at 7pm.  Stage Reading of REMBRANDT PERFECTED on Saturday\, March 26 at 7pm. \nThis is a volunteer community theater production.  Non-Equity.  There is no pay. At this time\, all volunteers including actors must be fully vaccinated to participate in shows. \nAUDITION DATES:\nOpen Call: \nDates: Monday\, Feb. 28 (One night only for both plays.) \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nREHEARSALS:\nThere will be 3-4 rehearsals before the stage reading arranged between the directors and the actors cast.  Rehearsals will start immediately. \nAUDITION REQUIREMENTS:\nBring headshot and resume. Sides for cold readings will be provided at the auditions. Please bring your vaccination card as written proof of full vaccination to the auditions. Masks will be required at the auditions. \nNEW WORKS FESTIVAL INFORMATION:  \nThis annual festival nurtures emerging and established playwrights to develop new scripts. Reading 100+ scripts a year\, the New Works Literary Committee chooses two top plays to receive a stage reading with critical feedback from professional theatre critics and audience talk back. \nAs it is a stage reading\, there will only be 3-4 rehearsals\, and actors will not need to memorize their scripts.  The stage reading of their show will only happen one night\, and there will be a talk back with the audience after the reading. \n  \nSHOW 1:  A LOVELY DAY FOR A BOATING TRIP by Lindsey Brown\nStage Reading March 25\, 2022 \nSHORT SYNOPSIS:  \nA triptych of plays about three lovely days and three not so lovely boating trips as three groups of people each set out in a rowboat with darkly comic results.  In play one\, a couple set out for open water with their marriage on the brink.  Just how far would you trust your spouse?  In play two\, a bride tests the limits friendship as she tries to escape her wedding.  And in play three\, a man\, his girlfriend\, and his grandmother set out for a seemingly cozy picnic on a remote island.  But what’s in all those heavy bags he’s bringing? \nPlays of the triptych: \n(And to kill your spouse) – What breaks first\, the boat or the marriage?  \n(And to escape your own wedding) – Will she\, won’t she\, why is she running?  \n(And to get rid of a body) – Nothing like a boating trip to form bonds and find bodies.  \nCASTING THE FOLLOWING ROLES:\n(And to kill your spouse):\nGLORIA: (F\, 40’s). Married to Graham. Knows what she loves and how to keep them. Determined\, brutal\, candid.  \nGRAHAM: (M\, 40’s). Married to Gloria. Looks out for number one\, but doesn’t always know how to count. Quick on his feet.  \n(And to escape your own wedding):  \nSADIE: (F\, 30-40’s). The bride. Is starting to become predictable. Determined\, adaptive\, half-measure thinking.  \nGWEN: (F\, 30-40’s). The best friend and Maid of Honor. A human Swiss army knife. Prepared\, compassionate\, intense.  \n(And to get rid of a body):  \nNANA (Violet Ward): (F\, 70+). Has seen her fair share of idiots and that’s probably not over. Intimidating\, opinionated\, shrewd.  \nLENO: (M\, Early to Mid 20’s). Violet’s grandson. Means well but doesn’t always end well. Kind\, waffler\, probably knows what he’s doing.  \nSIERRA: (F\, Early to Mid 20’s). Rolls with the punches and sees the cup half full. Quick-thinker\, devoted\, lovely. (Needs to be able to hold a tune as she sings Amazing Grace.) \n  \nSHOW 2:  REMBRANDT PERFECTED by Braddon Mendelson\nStage Reading March 26\, 2022 \nSHORT SYNOPSIS:  \nOn a Spring day in 1839\, American artist and telegraph inventor Samuel Morse and scenic artist Louis Daguerre — whose daguerreotype ushered in the new world of photography — meet for the first time in Daguerre’s studio in Paris. While demonstrating their inventions to one another\, they notice a silhouetted figure in one of Daguerre’s pictures and devise an outlandish plan to identify the individual\, the first human ever depicted in a photographic image. \nCASTING THE FOLLOWING ROLES:\nLOUIS-JACQUES-MANDÉ DAGUERRE (M\, 30s-60s.): French scenic artist\, inventor of the Diorama and the daguerreotype. (Role Requires a French Accent.) \nMADAME LOUISE GEORGINA DAGUERRE (F\, 30s-60s.): His wife\, French from English descent. (Role Requires a French Accent.) \nSAMUEL MORSE (M 30s-40s.): American Painter and inventor of the telegraph. (Role Requires an American Accent.) \nFRANCOIS FAUCHEUX (M\, 40s-70s.): French working class citizen. (Role Requires a French Accent.) \nDR. CHARLES JACKSON(M\, 30s-40s.): American Scientist. (Role Requires an American Accent.) \nCHARLES BOUTON (M\, 30s-60s.): French scenic painter and Daguerre’s partner in the Diorama. (Role Requires a French Accent.) \nPOLICEMAN/BOOTBLACK (M\, 20s.): French law enforcement officer/French practitioner of the art of shoeshine. (Role Requires a French Accent.) URL:https://lbplayhouse.org/event/auditions-2022-new-works-festival/ CATEGORIES:Auditions ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/02/NWF-2022-Audition-Event-Banner.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220225T200000 DTEND;TZID=America/Los_Angeles:20220326T230000 DTSTAMP:20260404T005844 CREATED:20190709T232426Z LAST-MODIFIED:20220315T211450Z UID:4845-1645819200-1648335600@lbplayhouse.org SUMMARY:CAT ON A HOT TIN ROOF DESCRIPTION:In what is possibly Tennessee Williams’ most famous and well-loved dramas of the modern theatre\, Maggie and Brick are trying to survive the ever present tension when Brick’s family gets together to celebrate Big Daddy’s 65th birthday.  As the family members jockey for power and favoritism\, secrets are exposed and weaknesses and insecurities are put to the test.  In this latest version of the timeless drama\, emotions have never been laid more bare and we have never felt so close to these beautifully flawed characters.  Come on in\, Maggie the Cat awaits. \nCAST LIST:\n\nJason Cook (BRICK)\nGaelyn Wilkie (MAGGIE)\nRick Kopps (BIG DADDY)\nMichelle Miller-Day (BIG MAMMA)\nHillary Weintraub (MAE)\nKeith Bush (GOOPER)\nTaylor Goss (REVEREND TOOKER) \nJim Perham (DOCTOR BAUGH)\nSophia Zavala (TRIXIE)\nBella Dorman (POLLY)\n\n  \nPERFORMANCE PHOTOS:\n\n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 1: Gaelyn Wilkie (MAGGIE)\, Jason Cook (BRICK)\n(Michael Hardy Photography)\n \n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 2: Gaelyn Wilkie (MAGGIE)\, Jason Cook (BRICK)\n(Michael Hardy Photography)\n \n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 3: Gaelyn Wilkie (MAGGIE)\, Hillary Weintraub (MAE)\n(Michael Hardy Photography)\n \n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 4: Michelle Miller-Day (BIG MAMMA)\, Gaelyn Wilkie (MAGGIE)\n(Michael Hardy Photography)\n \n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 5: Bella Dorman (POLLY)\, Keith Bush (GOOPER)\, Hillary Weintraub (MAE)\, Sophia Zavala (TRIXIE)\n(Michael Hardy Photography)\n \n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 6: Rick Kopps (BIG DADDY)\, Michelle Miller-Day (BIG MAMMA)\n(Michael Hardy Photography)\n \n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 7: Gaelyn Wilkie (MAGGIE)\, Sophia Zavala (TRIXIE)\, Bella Dorman (POLLY)\n(Michael Hardy Photography)\n \n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 8: Gaelyn Wilkie (MAGGIE)\, Jason Cook (BRICK)\n(Michael Hardy Photography)\n \n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 9: Rick Kopps (BIG DADDY)\, Jason Cook (BRICK)\n(Michael Hardy Photography)\n \n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 10: Rick Kopps (BIG DADDY)\, Jason Cook (BRICK)\n(Michael Hardy Photography)\n \n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 11: Taylor Goss (REVEREND TOOKER)\, Jim Perham (DOCTOR BAUGH)\, Michelle Miller-Day (BIG MAMMA)\, Gaelyn Wilkie (MAGGIE)\n(Michael Hardy Photography)\n \n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 12: Jim Perham (DOCTOR BAUGH)\, Keith Bush (GOOPER)\, Taylor Goss (REVEREND TOOKER)\, Michelle Miller-Day (BIG MAMMA)\, Hillary Weintraub (MAE)\n(Michael Hardy Photography)\n \n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 13: Michelle Miller-Day (BIG MAMMA)\, Keith Bush (GOOPER)\n(Michael Hardy Photography)\n \n \n \n \n \n CAT ON A HOT TIN ROOF (MAINSTAGE\, Feb. 26th – Mar. 26\, 2022)\nPHOTO 14: BACK ROW: Taylor Goss (REVEREND TOOKER)\, Keith Bush (GOOPER)\, Rick Kopps (BIG DADDY)\, Jason Cook (BRICK)\, Jim Perham (DOCTOR BAUGH)\nFRONT ROW: Bella Dorman (POLLY)\, Hillary Weintraub (MAE)\, Michelle Miller-Day (BIG MAMA)\, Gaelyn Wilkie (MAGGIE)\, Sophia Zavala (TRIXIE)\n(Michael Hardy Photography)\n \n \n \n  \nThe Long Beach Playhouse is so excited to have the Opening Night Gala sponsored by URL:https://lbplayhouse.org/event/cat-on-a-hot-tin-roof/ CATEGORIES:Mainstage Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2019/07/Cat_Roof-2022-Event-Banner-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220225T200000 DTEND;TZID=America/Los_Angeles:20220227T200000 DTSTAMP:20260404T005844 CREATED:20211115T235912Z LAST-MODIFIED:20220222T234658Z UID:6273-1645819200-1645992000@lbplayhouse.org SUMMARY:THE GREAT WILDCAT JACKSON DESCRIPTION:The Studio Collaborative: THE GREAT WILDCAT JACKSON\n \nCompany: Little Bigstage Productions \nDates: Feb. 25 & 26 @ 8pm\, Feb. 27 @ 2pm\, 2022. \nTickets: $15 \nDescription: \nWildcat Jackson is the self-proclaimed monarch of the west. With his silly yet edgy brand of comedy magic\, he entertains as an old-west showman in a modern world. This bargain-basement Buffalo Bill Cody works a crowd with his larger-than-life charisma and offbeat carnival-style show. \nCompany Statement: \nLittle Big Stage Productions is driven by its mission to entertain first and foremost. But all the while striving to achieve its core principles of activism thru art or efficacy thru  laughter or inspiration thru education. Little Bigstage will always strive to Be a dynamic force in the realm of entertainment through those principles and through the of minimalism and simplicity. \nThe LBP Studio Collaborative Season offers outside\, local theatre companies and performing arts organizations the opportunity to produce their own shows in our Studio Theater. URL:https://lbplayhouse.org/event/the-great-wildcat-jackson/ CATEGORIES:Studio Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2021/11/Wildcat-Jackson-Banner.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220218T200000 DTEND;TZID=America/Los_Angeles:20220220T163000 DTSTAMP:20260404T005844 CREATED:20220203T210131Z LAST-MODIFIED:20220203T210255Z UID:6457-1645214400-1645374600@lbplayhouse.org SUMMARY:CRay Project PINS Frknik DESCRIPTION:A spring-break picnic conceived by Spelman College in 1982\, gaining public recognition in 1990 with 300\,00 attendees. Honoring black excellence\, culture\, and sexual liberation\, will be relived in \nLong Beach\, California! \n  \nPINS is an interactive “urban” burlesque experience that celebrates the beauty of being unapologetically BLACK; crushing all societal stigmas regarding black sexual liberation. This joyride is provocative\, risque\, and sure to fulfill your intimate fantasies. An interactive production\, combining dance\, music\, comedy\, and “Striptease”\, this show will leave the audience GAWKING for more! \n  \n  URL:https://lbplayhouse.org/event/cray-project-pins-frknik/ CATEGORIES:Studio Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2022/02/Pins1-e1643921986616.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220215T200000 DTEND;TZID=America/Los_Angeles:20220217T220000 DTSTAMP:20260404T005844 CREATED:20211201T233249Z LAST-MODIFIED:20220125T214325Z UID:6344-1644955200-1645135200@lbplayhouse.org SUMMARY:AUDITIONS: YOU CAN'T TAKE IT WITH YOU DESCRIPTION:TITLE: YOU CAN’T TAKE IT WITH YOU\nAUTHOR: Moss Hart and George S. Kaufman \nDIRECTOR: Mitchell Nunn \nRUN:  April 9 – May 7\, 2022 \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. \nThis is a community theater production.  Non-Equity.  There is no pay.  \nAt this time\, all volunteers including actors must be fully vaccinated to participate in shows. \nAUDITION DATES:\nOpen Call: \nDates: Tuesday\, Feb. 15 & Wednesday Feb. 16\, 2022 \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: \nDate and Time: Thursday\, Feb. 18\,  7pm – 10pm\, by invitation only. \nREHEARSALS:\nFirst Rehearsal – First Read-Through: Saturday\, Feb. 19\, 2022\, Noon – 4pm \nRegular Rehearsal: Starts Mon.\, Feb. 21\, 2022. General days and times: Mondays\, Tuesdays\, and Wednesdays\, 7pm – 10pm\, Saturdays\, 9am – Noon. \nLocation: Long Beach Playhouse \nBeginning Rehearsal Schedule\n  \nAUDITION REQUIREMENTS:\nBring headshot and resume.  \nSides for cold readings will be provided at the auditions. \nPlease bring your vaccination card as written proof of full vaccination to the auditions.  \nMasks will be required at the auditions. \n SHORT SYNOPSIS:  \nYou Can’t Take it With You introduces audiences to the freethinking Sycamore family and the mayhem that ensues when their daughter’s fiancé brings his conservative\, strait-laced parents to dinner on the wrong night.  At first the Sycamores seem mad\, but it is not long before we realize that if they are mad\, the rest of the world is madder. \nCASTING THE FOLLOWING ROLES:\nNOTE:  All ethnicities are encouraged to audition and will be considered for any role. \nMARTIN VANDERHOF (M\, 70’s) – The patriarch of the household\, Martin (aka Grandpa) is Penny’s father. “He is a man who made his peace with\nthe world a long\, long time ago\, and his whole attitude and manner are quietly persuasive of this.” Having given up his job 35 years ago to enjoy his life\, he is happy attending circuses\, commencement ceremonies\, and collecting snakes. \nPENELOPE SYCAMORE (F\, Early 50’s) – Known as Penny\, she is an avid\, amateur playwright\, and painter. And not too good. “Comfortable\, gentle\, homey… under that placid exterior there surges the Divine Urge.” She is the daughter of Martin\, wife of Paul and mother of Essie and Alice. \nALICE SYCAMORE (F\, early 20’s) – The younger child of Penny and Paul\, “she seems to have escaped the mild tinge of insanity that pervades” the rest of her family. She is the only member of the household with steady employment out in “the real world.” Although well aware of their “quirks\,” she loves and is truly devoted to her family. \nTONY KIRBY (M\, mid 20’s) – Mr. Anthony Kirby\, Jr. is the Vice President of his father’s business\, Kirby & Company\, where Alice is his secretary. “Although he fits all the physical requirements of a boss’s son\, his face has something in the idealist of it. All in all\, a very nice young man.” \nESSIE CARMICHAEL (F\, about 29) – Eldest child of Penny and Paul\, and wife of Ed. “…curious air of the pixie about her.” She makes candies and studies ballet (endlessly and fruitlessly). \nED CARMICHAEL (M\, 30’s) – Husband of Essie Carmichael. Plays the xylophone (actor need not be proficient)\, and creates various flyers and leaflets with his home printing press\, while also helping to sell Essie’s candies. \nPAUL SYCAMORE (M\, 50’s) – Paul is Penny’s husband\, father of Essie and Alice. He spends most of  his time making fireworks in the basement with Mr. De Pinna. He also builds toy models. \nMR. DE PINNA (M\, 40-65) – Mr. De Pinna is a former ice deliveryman. About 8 years ago\, he delivered ice to the house\, and never left. Spends most of his time making fireworks with Paul. \nRHEBA (F\, 30’s) – The “maid\,” Rheba is perhaps not the most competent of domestic workers. But\, she fits in with this family to a tee. \nDONALD (M\, 30’s) – Rheba’s boyfriend. He is “on relief\,” and therefore spends most of his time with Rheba and the family. He enjoys bringing flies for the snakes\, and helping out around the house. \nBORIS KOLENKHOY (M\, 50’s-60’s) – A Russian émigré\, Kolenkhov is Essie’s private ballet instructor. “He is enormous\, hairy\, loud\, and very\, very Russian.” (Requires a Russian accent.) \nMR. ANTHONY KIRBY\, SR. (M\, late 50’s) – The president and founder of “Kirby & Company.” He is the epitome of the extremely wealthy and successful\, self-made businessman. He raises orchids as a hobby. \nMRS. MIRIAM KIRBY (F\, 50’s) – A perfect match for her husband\, Mrs. Kirby is the quintessential\, high society matron. She has an avid interest in Spiritualism. \nWILBUR C. HENDERSON (M\, late 20’s-30’s) – Mr. Henderson is the “tax man\,” and all that that entails. (Will double as a G MAN.) \nGAY WELLINGTON (F\, 20s – 60s) – An “actress” with a distinct fondness for gin. (Will double as OLGA KATRINA.) (Requires a Russian accent.) \nTHE GRAND DUCHESS OLGA KATRINA (F\, 60’s) – A Russian émigré\, Olga is a waitress at Child’s Restaurant\, Times Square. Her cousin was Nicholas II\, Czar of Russia. (Will double as GAY WELLINGTON.) \nG MEN (M\, late 20’s-30’s) – Two Men – Agents of the Department of Justice. URL:https://lbplayhouse.org/event/auditions-you-cant-take-it-with-you/ CATEGORIES:Auditions ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2021/12/You-Cant_With-You-Audition-Banner.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220211T200000 DTEND;TZID=America/Los_Angeles:20220213T230000 DTSTAMP:20260404T005844 CREATED:20211115T234524Z LAST-MODIFIED:20220209T214908Z UID:6266-1644609600-1644793200@lbplayhouse.org SUMMARY:LEGACY OF A GARAGE BAND DESCRIPTION:The Studio Collaborative: LEGACY OF A GARAGE BAND\nCompany: Community Professionals \nDates: Feb. 11 & 12 @ 8pm\, Feb. 13 @ 2pm\,  2022 \nTickets: $20 \nDescription:  \nThe Legacy of a Garage Band. The moment a band ceases beholden to each other\, the moment they break their music bond with one another\, the world engulfs them\, and the music is lost forever. You only get one chance at greatness. \nCompany Statement: \nCommunity Professionals and El Toro Collaborative is a community of progressive artists and writers committed to bringing innovative and progressive creative works to the community. \nThe LBP Studio Collaborative Season offers outside\, local theatre companies and performing arts organizations the opportunity to produce their own shows in our Studio Theater. URL:https://lbplayhouse.org/event/legacy-of-a-garage-band/ CATEGORIES:Studio Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2021/11/Legacy-of-a-Garage-Band-Banner-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220204T200000 DTEND;TZID=America/Los_Angeles:20220206T230000 DTSTAMP:20260404T005844 CREATED:20211115T233728Z LAST-MODIFIED:20220131T222712Z UID:6263-1644004800-1644188400@lbplayhouse.org SUMMARY:LOVE\, LINDA - CANCELED DESCRIPTION:The Studio Collaborative: LOVE\, LINDA (The Life of Mrs. Cole Porter)\nCompany: P3 Theatre Company\,  \nDates: Feb. 4\, & 5 @ 8pm\, Feb. 6 @ 2pm\, 2022 \nTickets: $25\, $20 for groups of 10 or more. \nGroup tickets not available online – call 562-494-1014\, option 1 or visit box office in person to order. \nDescription:  \nIn this tour-de-force one-woman show\, Linda Lee Thomas (Mrs. Cole Porter)\, candidly recounts\, through song and story\, her life’s journey with Cole Porter.  Though Porter was gay\, their companionship and love lasted through 35 years of marriage and a spectacular\, glamour-filled life. With innovative arrangements\, the timeless music and lyrics of Cole Porter weave through the compelling narrative of Love\, Linda\, examining the darker sides of their life\, while also celebrating the deep love that blossomed through their unconventional relationship. \nCompany Statement: \nP3’s mission is to ignite a spark in our diverse community through creative programming that passionately explores humanistic truth. \nThe LBP Studio Collaborative Season offers outside\, local theatre companies and performing arts organizations the opportunity to produce their own shows in our Studio Theater. URL:https://lbplayhouse.org/event/love-linda-the-life-of-mrs-cole-porter/ CATEGORIES:Studio Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2021/11/Love-Linda-Banner.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220128T200000 DTEND;TZID=America/Los_Angeles:20220129T230000 DTSTAMP:20260404T005844 CREATED:20211115T233023Z LAST-MODIFIED:20221116T000935Z UID:6258-1643400000-1643497200@lbplayhouse.org SUMMARY:WELCOME TO THE VANTAGE POINT DESCRIPTION:The Studio Collaborative: WELCOME TO THE VANTAGE POINT\n\n\nCompany: Company of Angels\n\nDates: Jan. 28 & 29 @ 8pm\, 2022\n\nTickets: $15\n\nDescription: \n\nCelebrate the Lunar New Year as Company of Angels presents\, “Welcome to the Vantage Point\,” an improvised family-friendly comedy show. Take a theatrical journey through a diverse landscape of American theater as we use your audience suggestions to improvise scenes in three iconic theatrical styles.\n\n \n\nCompany Statement: \n\nHonoring our history as the oldest non-profit professional equity waiver theater in Los Angeles\, Company of Angels produces theater that reflects and responds to the richness\, diversity\, and complexity that is our city. Our Company of diverse theater artists fosters mutual learning partnerships with the residents of Los Angeles through artistic development opportunities\, community building enterprises\, and life experiences. Company of Angels develops emerging artists\, creates new work\, and re-envisions theater to entertain new audiences and serve the City of Angels.\n\nThe LBP Studio Collaborative Season offers outside\, local theatre companies and performing arts organizations the opportunity to produce their own shows in our Studio Theater. URL:https://lbplayhouse.org/event/welcome-to-the-vantage-point/ CATEGORIES:Studio Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2021/11/Welcome-to-the-Vantage-Point-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220121T200000 DTEND;TZID=America/Los_Angeles:20220122T230000 DTSTAMP:20260404T005844 CREATED:20211115T231754Z LAST-MODIFIED:20220117T200858Z UID:6253-1642795200-1642892400@lbplayhouse.org SUMMARY:IMPROV FOR WARRIORS 2 DESCRIPTION:Studio Collaborative: IMPROV FOR WARRIORS 2 \nCompany: Bravo Company \nDates: Jan. 21 & 22\, @ 8pm\, 2022 \nTickets:  $20 \nDescription: \nBravo Company is once again partnering with the Wounded Warrior Project to support those who have sacrificed for our country.  Join us for an evening of Improv comedy and fun for all ages.  100% of Bravo Company’s share of ticket sales will be donated to the Wounded Warrior Project. \nCompany Statement: \nBravo Company was founded in 2014 to provide a brand of live theatre inspired by classic vaudeville comedy with highly interactive\, and family friendly entertainment. \nThe LBP Studio Collaborative Season offers outside\, local theatre companies and performing arts organizations the opportunity to produce their own shows in our Studio Theater. URL:https://lbplayhouse.org/event/improv-for-warriors-2/ CATEGORIES:Studio Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2021/11/Improv-for-Warriors-2-Banner.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220114T200000 DTEND;TZID=America/Los_Angeles:20220212T230000 DTSTAMP:20260404T005844 CREATED:20211028T234335Z LAST-MODIFIED:20220214T234258Z UID:6177-1642190400-1644706800@lbplayhouse.org SUMMARY:Agatha Christie's MURDER ON THE ORIENT EXPRESS DESCRIPTION:Caught in a snowdrift\, passengers on a luxury train wake to find a murder\, and the killer in their midst. Hercule Poirot\, the world’s best detective\, takes on the case involving an elaborate cast of characters\, each with what seem to be solid alibis. Who had motive? Who had access? Will the killer strike again? This classic Agatha Christie tale\, adapted enthusiastically by Ken Ludwig\, keeps surprising and shocking audiences until its thrilling conclusion. \nCAST LIST:\n\nEric Schiffer (HERCULE POIROT)\nLee Samuel Tanng (MONSIEUR BOUC)\nElisa Richter (MARY DEBENHAM)\nJames Webb (HECTOR MACQUEEN)\nAlex Piper (MICHEL THE CONDUCTOR/HEAD WAITER)\nRose London (PRINCESS DRAGOMIROFF)\nAlex Lohman (GRETA OHLSSON)\nMeredith Miranda (COUNTESS ANDRENYI)\nSusie McCarthy (HELEN HUBBARD)\nLawrence Ingalls (COLONEL ARBUTHNOT)\nSteve Shane (SAMUEL RATCHETT)\n\nPERFORMANCE PHOTOS:\n\n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 1: Eric Schiffer (HERCULE POIROT)\, Lee Samuel Tanng (MONSIEUR BOUC)\n(Michael Hardy Photography)\n \n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 2: Steve Shane (SAMUEL RATCHETT)\, Eric Schiffer (HERCULE POIROT)\, James Webb (HECTOR MACQUEEN)\n(Michael Hardy Photography)\n \n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 3: Alex Piper (MICHEL THE CONDUCTOR)\, Susie McCarthy (HELEN HUBBARD)\n(Michael Hardy Photography)\n \n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 4: Steve Shane (SAMUEL RATCHETT)\, Meredith Miranda (COUNTESS ANDRENYI)\n(Michael Hardy Photography)\n \n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 5: Lawrence Ingalls (COLONEL ARBUTHNOT)\, Elisa Richter (MARY DEBENHAM)\n(Michael Hardy Photography)\n \n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 6: Eric Schiffer (HERCULE POIROT)\, Lee Samuel Tanng (MONSIEUR BOUC)\, Meredith Miranda (COUNTESS ANDRENYI)\n(Michael Hardy Photography)\n \n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 7: Eric Schiffer (HERCULE POIROT)\, James Webb (HECTOR MACQUEEN)\n(Michael Hardy Photography)\n \n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 8: Lee Samuel Tanng (MONSIEUR BOUC)\, Susie McCarthy (HELEN HUBBARD)\n(Michael Hardy Photography)\n \n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 9: Alex Piper (MICHEL THE CONDUCTOR)\, Lee Samuel Tanng (MONSIEUR BOUC)\, Eric Schiffer (HERCULE POIROT)\n(Michael Hardy Photography)\n \n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 10: Susie McCarthy (HELEN HUBBARD)\, Alex Lohman (GRETA OHLSSON)\, Rose London (PRINCESS DRAGOMIROFF)\n(Michael Hardy Photography)\n \n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 11: LEFT SIDE (Back to front): Lee Samuel Tanng (MONSIEUR BOUC)\, Susie McCarthy (HELEN HUBBARD)\, Alex Lohman (GRETA OHLSSON)\, Rose London (PRINCESS DRAGOMIROFF)\, Meredith Miranda (COUNTESS ANDRENYI)\, CENTER: Eric Schiffer (HERCULE POIROT)\, RIGHT SIDE (Back to Front): Alex Piper (MICHEL THE CONDUCTOR)\, Lawrence Ingalls (COLONEL ARBUTHNOT)\, Elisa Richter (MARY DEBENHAM)\, James Webb (HECTOR MACQUEEN)\n(Michael Hardy Photography)\n\n \n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 12: Rose London (PRINCESS DRAGOMIROFF)\, Alex Lohman (GRETA OHLSSON)\, Meredith Miranda (COUNTESS ANDRENYI)\n(Michael Hardy Photography)\n \n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 13: Rose London (PRINCESS DRAGOMIROFF)\, Alex Lohman (GRETA OHLSSON)\, Meredith Miranda (COUNTESS ANDRENYI)\, Susie McCarthy (HELEN HUBBARD)\, Eric Schiffer (HERCULE POIROT)\, Alex Piper (MICHEL THE CONDUCTOR)\, Lawrence Ingalls (COLONEL ARBUTHNOT)\, Elisa Richter (MARY DEBENHAM)\, James Webb (HECTOR MACQUEEN)\, Lee Samuel Tanng (MONSIEUR BOUC)\n(Michael Hardy Photography)\n \n \n \n \n \n MURDER ON THE ORIENT EXPRESS (MAINSTAGE\, Jan 15th – Feb. 12\, 2022)\nPHOTO 14: BACK ROW: Susie McCarthy (HELEN HUBBARD)\, Rose London (PRINCESS DRAGOMIROFF)\, Alex Piper (MICHEL THE CONDUCTOR/HEAD WAITER)\, Eric Schiffer (HERCULE POIROT)\, Lawrence Ingalls (COLONEL ARBUTHNOT)\, James Webb (HECTOR MACQUEEN)\, FRONT ROW: Alex Lohman (GRETA OHLSSON)\, Steve Shane (SAMUEL RATCHETT)\, Lee Samuel Tanng (MONSIEUR BOUC)\, Meredith Miranda (COUNTESS ANDRENYI)\, Elisa Richter (MARY DEBENHAM)\n(Michael Hardy Photography)\n \n \n \n  \nThe Long Beach Playhouse is so excited to have the Opening Night Gala sponsored by URL:https://lbplayhouse.org/event/agatha-christies-murder-on-the-orient-express/ CATEGORIES:Mainstage Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2021/10/Murder_Express-Event-Banner-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220114T200000 DTEND;TZID=America/Los_Angeles:20220115T230000 DTSTAMP:20260404T005844 CREATED:20211115T231039Z LAST-MODIFIED:20220106T203320Z UID:6238-1642190400-1642287600@lbplayhouse.org SUMMARY:TRUTH BE TOLD DESCRIPTION:Studio Collaborative: TRUTH BE TOLD\nProducer: Doyle Smiens \nDates: Jan. 14 & 15 @ 8pm\, 2022 \nTickets:  $20 \nDescription: \n“Truth Be Told” \nWith Doyle Smiens\, \nDirected by Ann Wellman\n\n\n\nTruth Be Told is my coming out story but also a story about how I found my way back to myself. I struggled with disappointment\, betrayal\, rejection and despair on my journey to self-discovery. A powerful story well told can inspire hope in listeners. My story is such a story. \nThis show will make you laugh\, cry as well as make you think. “Truth Be Told”  is poignant and emotionally moving and well worth the price of admission. \n \nThe LBP Studio Collaborative Season offers outside\, local theatre companies and performing arts organizations the opportunity to produce their own shows in our Studio Theater. \n  URL:https://lbplayhouse.org/event/truth-be-told/ CATEGORIES:Studio Theatre ATTACH;FMTTYPE=image/jpeg:https://lbplayhouse.org/wp-content/uploads/2021/11/Truth-Be-Told-Banner-2.jpg END:VEVENT END:VCALENDAR