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DTSTART;TZID=America/Los_Angeles:20250414T190000
DTEND;TZID=America/Los_Angeles:20250416T190000
DTSTAMP:20260504T124101
CREATED:20250310T231251Z
LAST-MODIFIED:20250407T192940Z
UID:9850-1744657200-1744830000@lbplayhouse.org
SUMMARY:AUDITIONS: ADA AND THE ENGINE
DESCRIPTION:AUDITIONS: ADA AND THE ENGINE\nPlaying in the Long Beach Playhouse’s Studio Theater\nBy Lauren Gunderson\nDirected by Kelsey Weinstein\nAUDITION DATES:  April 14 – 16\, 2025\n\nMonday\, April 14 2025 – 7pm – 9pm: Open Call\nTuesday\,  April 15\, 2025 – 7pm – 9pm: Open Call\nWednesday\, April 16\, 2025 – 7pm – 10pm: Callbacks – By invitation only.\n\n(Auditioners only need to come to one night of open call auditions.  We are only seeing in-person auditioners during audition times – no video submissions.) \nPERFORMANCE DATES:  June 7 – July 5\, 2025\nAUDITION NOTICE:\nTITLE: ADA AND THE ENGINE\nAUTHOR: Lauren Gunderson \nDIRECTOR: Kelsey Weinstein  \nRUN: June 7- July 5\, 2025 \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. There will be a Special Thursday performance July 3rd\, and no performance on July 4th.  \nThis is a volunteer community theater production.  Non-Equity.  There is no pay. \nAUDITION DATES:\nOpen Call:  \nDates: Monday\, April 14 and Tuesday\, April 15\, 2025 \n(Auditioners only need to come to one night of Open Call Auditions.) \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: By Invitation Only. \nDate: April 16\, 2025 \nTimes: 7pm – 10pm \nREHEARSALS:\nFirst Read-Through: April 19\, 2025\, Noon – 4pm \nRegular Rehearsal: Starting April 21\, 2025\, Mondays – Thursdays 7pm – 10pm\, Saturdays 10am – 2pm.  \n(Please see beginning rehearsal schedule BELOW for specific dates and times.) \nLocation: Long Beach Playhouse \nAUDITION REQUIREMENTS:\nBring headshot and resume.  \nSides for cold readings will be provided at the auditions.  \nLINK TO OPEN CALL MONOLOGUE SIDES\nSHORT SYNOPSIS:  \nAs the British Industrial Revolution dawns\, young Ada Byron Lovelace (daughter of the flamboyant and notorious Lord Byron) sees the boundless creative potential in the “analytic engines” of her friend and soulmate Charles Babbage\, inventor of the first mechanical computer. Ada envisions a whole new world where art and information converge- a world she might not live to see. A music-laced story of love\, friendship\, and the edgiest dreams of the future. Jane Austen meets Steve Jobs in this poignant pre-tech romance heralding the computer age.  \nCASTING THE FOLLOWING ROLES:\nNOTE: All Ethnicities are encouraged to audition for any role.  \nADA BYRON LOVELACE (Female-Identifying\, 18-35) Curious\, funny\, brilliant\, aware of her brilliance\, storied\, aware of her story. Never met her famous father. Tries to be a “good girl” but just cannot help her curiosity and love of all things impossible. A woman of our time stuck in hers . (English accent required\, ability to sing comfortably preferred.) \nLADY ANABELLA BYRON (Female-Identifying\, 35-55): Ada’s mother\, harsh\, strict\, jealous? Yes. But\, realistic. She has had a hard life largely due to Ada’s father. Projects his sins on her. Doubles As: MARY SOMERVILLE: Charles’ friend and colleague and Ada’s mentor. There are no women as successful and respected in science and math as her. Pragmatic\, sharply friendly\, someone who will tell you when you’re wrong.  (English accent required.) \nCHARLES BABBAGE (Male-Identifying\, 40-60) Ada’s soulmate\, friend\, mentor. Lauded genius of London. A holder of famous salons\, an inventor\, a mathematical scholar\, a dreamer who just cannot seem to make his dreams into the metal they require to be real. Almost perfect for Ada. Almost. (English accent required) \nLORD LOVELACE (Male-Identifying\, 25-45): A gentleman who becomes Ada’s husband. He’d rather that he was more rich and more lordly\, but he’ll manage with his lot. A proud man. A wanting man. A serious man. Is not madly in love with Ada\, but she’ll do just fine. Doubles as: LORD BYRON: Ada’s father\, a charming man\, darkly funny\, unpredictable\, brooding but self-aware. A poet. (English accent required) \nBEGINNING REHEARSAL SCHEDULE:\n\n\nAda and the Engine Beg. Reh. Schedule v.3Download\n\n\n\n \n\n\nOPEN CALL MONOLOGUE SIDES:\n\n\nAda and the Engine Audition SidesDownload
URL:https://lbplayhouse.org/event/auditions-ada-and-the-engine/
CATEGORIES:Auditions
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DTSTART;TZID=America/Los_Angeles:20250429T190000
DTEND;TZID=America/Los_Angeles:20250501T190000
DTSTAMP:20260504T124101
CREATED:20241113T212726Z
LAST-MODIFIED:20250408T195031Z
UID:9631-1745953200-1746126000@lbplayhouse.org
SUMMARY:AUDITIONS: FIDDLER ON THE ROOF
DESCRIPTION:AUDITIONS: FIDDLER ON THE ROOF\nPlaying in the Long Beach Playhouse’s Mainstage Theater\nBook by Joseph Stein\, Music by Jerry Bock\, Lyrics by Sheldon Harnick\nDirected by Gregory Cohen\nMusical Direction by Stephen Olear\nChoreography by Kysa Cohen\n  \nAUDITION DATES:  April 29 – May 1\, 2025\n\nTuesday\, April 29\, 2025 – 7pm – 9pm: Open Call\nWednesday\,  April 30\, 2025 – 7pm – 9pm: Open Call\nThursday\, May 1\, 2025 – 7pm – 11pm: Callbacks – By invitation only.\n\n(Auditioners only need to come to one night of open call auditions.  We are only seeing in-person auditioners during audition times – no video submissions.) \nPERFORMANCE DATES:  June 28 – Aug. 3\, 2025\n  \nAUDITION NOTICE:\nTITLE: FIDDLER ON THE ROOF\nAUTHOR: Book by Joseph Stein; Lyrics by Jerry Bock; Music by Sheldon Harnick \nDIRECTOR: Gregory Cohen \nMUSICAL DIRECTOR: Stephen Olear \nCHOREOGRAPHER: Kysa Cohen \nRUN:  June 28th – August 3rd\, 2025 \nFridays & Saturdays 8pm\, Sundays at 2pm. Special performances on Thursday and Sunday nights may be added for private parties and special events. There will be a Special Thursday Performance July 3rd\, and no performance on July 4th. \nThis is a volunteer community theater production.  Non-Equity.  There is no pay.  \nAUDITION DATES:\nOpen Call: \nDates: Tuesday\, April 29th & Wednesday\, April 30th\, 2025  \n(Auditioners only need to come to one night of Open Call Auditions.) \nTimes: 7pm – 9pm \nLocation: Long Beach Playhouse   \nCallbacks: By Invitation Only. \nDate: Thursday\, May 1st\, 2025 \nTimes: 7pm – 11pm \nREHEARSALS:\nFirst Read-Through: Saturday\, May 3\, 2025; Noon – 4:00pm \nRegular Rehearsal: Starting Monday\, May 5\, 2025; Monday – Thursdays (7pm – 10pm); Saturdays (9am – 1pm); and some possible rehearsals Sundays (6pm – 9pm) \n(Please see beginning rehearsal schedule BELOW for specific dates and times.) \n(NOTE: There are no understudies\, so we will not cast actors with conflicts on Performance or Tech Dates.) \nLocation: Long Beach Playhouse \nAUDITION REQUIREMENTS:\nBring headshot and resume.  \nBring 16 bars of a classic musical theatre song (no Sondheim or Jason  Robert Brown\, please.) An accompanist will be provided\, so please bring sheet music that is in your key\, clearly prepared\, indicating where you start and stop. No tracks or a cappella. \nBe prepared to dance. \nSides for cold readings will be provided at the auditions/callbacks. \nSHORT SYNOPSIS:  \nThe heart warming\, Tony Award winning musical about the milkman\, Tevye and his family in the Jewish community of Anatevka in Tsarist Russian. Tevye strives to keep up the traditions of his faith and culture against the backdrop of discrimination and prejudice. \nCASTING THE FOLLOWING ROLES:\nNOTE: All ethnicities and gender identities will be considered for all roles. \nTEVYE (M 40-60): A lovable\, hard working man with a sense of humor and a connection to his Jewish roots. He is a loving father to 5 daughters. Strong actor who can connect with the audience. Baritone. \nGOLDE: (F\, 35-50): Tevye’s wife and a strong matriarch. Her passion in life is her family and helping them to have a promising future. Good comic timing. Mezzo. \nYENTE (F\, 50-70): the matchmaker. She is the village busybody. Alto. \nLAZAR WOLF (M\, 40-70): The butcher. He is the wealthiest man in town. He wants to marry Tevye’s daughter\, Tzeitel. Large presence. Baritone. \nTZEITEL (F\, 18-25): Eldest daughter. Strong willed. Strong actress. Mezzo. \nMOTEL (M\, 18-30) The tailor. He is meek\, nervous and sensitive. A loveable mensch in love with Tzeitel. Tenor. \nHODEL (F\, 18-25): Tevye’s second daughter. In love with Perchick. Strong actress\, feisty. Mezzo. \nPERCHIK (M 20-30): The tutor and a radical. A visitor to the town. Charismatic\, in love with Hodel. Tenor. \nCHAVA (F 18-23): Tevye’s third daughter. The scholar of the family who falls in love and runs off with Fyedka\, a Russian soldier. She breaks her father’s heart. Mezzo. \nFYEDKA (M 21-30): The Russian soldier who falls in love with Chava.  Dance skills a plus. High tenor to A. \nSHPRINTZE and BIELKE (F\, 10-14): Tevye’s two youngest daughters. \nBAR MITZVAH BOYS (M\, 12-16): Two counterparts to the youngest daughters. \nCONSTABLE (M\, 30-55): The Russian military official. A good man trapped in his military responsibilities. \nTHE RABBI (M\, 45-85): The religious leader of the village. Baritone. \nMENDEL (M\, 18-25): The rabbi’s son. Baritone. \nMORDCHA (M\, 30-70): The innkeeper. Tevye’s friend. \nAVRAM (M\, 20-50): The bookseller. Baritone. \nGRANDMA TZEITEL (M/F 55-70): She is a ghost figure in Tevye’s dream with a very strong solo. The person playing this role will double as ensemble. Mezzo. \nFRUMA SARAH: (F\, 30-45): Is a ghost figure in Tevye’s dream. Requires a strong singer actress with a challenging solo. The person playing this role will double as ensemble. Mezzo. \nNACHUM (M\, 20-65): the beggar. Ensemble. \nYUSSEL (M\, 20-65): the hatter. Ensemble. \nSHAINDEL (F\, 40-60): Motel’s mother. Ensemble. \nSASHA (M\, 18-30): Russian soldier. Ensemble. \nPRIEST (M 30-60): Christian spiritual leader. Ensemble. \nVILLAGERS\, RUSSIANS\, DANCERS:  Ensemble members for featured dance\, singing and acting roles. Russian dancers and bottle dancers. \nNOTE: Most named characters will double as villagers and Russian soldiers. \nBEGINNING REHEARSAL SCHEDULE:\n\n\nFiddler on the Roof Beg. Rehearsal Schedule V.3Download
URL:https://lbplayhouse.org/event/auditions-fiddler-on-the-roof/
CATEGORIES:Auditions
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